My rating: 5 of 5 stars
Nora Hamilton makes a living writing screenplays for The Romance Channel (a thinly veiled Hallmark Channel), swapping out the details but keeping the essential fantasy romance elements intact. However, when her deadbeat husband leaves, she turns her personal story into a major Hollywood movie, earning enough (barely) to get herself and her kids out of the debt he left behind. The studio even pays extra to use her actual tea house/writing studio for the last two days of filming. However, when they pack up and leave, she discovers the leading man--famous actor Leo Vance--remained behind. He begs to be allowed to stay and rest in the tea house, offering her $1000/day in rent--money she badly needs to fix her gutters. She agrees, and suddenly she finds herself playing tour guide and shopping tutor for a gorgeous man eager to participate in her family's life. As he integrates into her world, their relationship evolves into a romantic one, but will he actually stay, or will he leave like her ex-husband did? Nora felt relief when her husband took off; she's very much afraid Leo's departure could shatter her heart.
I absolutely loved this book. It both pokes fun at the formulaic Hallmark movies we all love and love to hate, and also works within that same basic framework. Thankfully, this story is one of the good ones, not the ones with the plastic blonde (or brunette) attempting to pretend to be a regular person. I loved that Leo actually did seem like he could fit into Nora's world, and later she proved she could hold her own in his. Nora's daughter Bernadette seems a bit older than her 8 years, but 10-year-old Arthur is entirely believable. Plus it was a breath of fresh air to read a romance novel where the protagonists are 40-ish instead of 20-somethings.
I think this would be a great book to discuss in a book group. What makes a person stay with someone like Ben who has no observable redeeming qualities? Yet Nora endured almost two decades of his freeloading and emotional abuse until *he* decided to leave. Even if his absence is welcome, those years he was around were traumatic and left emotional scars, so how did that conditioning impact Nora and Leo's relationship, particularly after Leo flew to L.A. for the audition?
For readers' advisors: story doorway is primary, character secondary. All sex happens offscreen, and there are only a few well-placed swear words, so the book is nearly a "gentle read." No violence. All the characters seem to be heterosexual, and racial identity isn't indicated that I can recall, aside from a few names that indicate some secondary characters might be something other than white. Pretty much like the majority of the Hallmark movies, really. (Honestly, that's the biggest drawback--how hard would it have been to make the characters more diverse?)
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