Cassandra in Reverse

Cassandra in Reverse by Holly Smale
My rating: 5 of 5 stars

What would you do if you discovered you could go back in time (though no further than a certain date)? Would you use it to win the lottery? Prevent accidents? Or try and keep from getting fired from your job and dumped by your boyfriend on the same day? Cassandra Penelope Dankworth chooses the latter option. It is, however, exhausting, and perhaps not what the universe had in mind.

I absolutely LOVED this book. Cassandra was such a wonderful, heartbreaking character. I would say I wanted to scoop her up and hug her and tell her there was absolutely NOTHING wrong with her, except, of course, she would hate that.

I did have a really hard time believing she had gone 31 years without realizing she was autistic, as that was blindingly obvious from almost the first moments of the book, but then I read that the author wasn’t diagnosed until she was 39, so I guess that’s sadly more plausible than I’d realized. I also read that the author herself processes emotions as colors, which explains the phenomenally beautiful way they are described throughout the book.

For readers’ advisors: character and language doorways are strongest. A fair amount of occasional swearing. References to sex and a time loop sex scene (as Cassie tries to “fix” things) which is not described in detail. No physical violence aside from the anti-fur protesters who yell and throw fake blood on Cassandra when she accidentally stumbles into their midst.

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Mickey7

Mickey7 by Edward Ashton
My rating: 3 of 5 stars

When I finished the book last night, I rounded 3.5 up to 4 stars, but now that the end-of-book-high has worn off, the problem I have with the characterization of Eight has become increasingly irritating to the point where I'm downgrading my rating. Now I'm at 2.5 rounding to 3. For the moment. Might go down to 2.

The premise of the book is centered around the concept that on a colonization mission to a new planet, one crew member is "Expendable," and after each death, he (Mickey) is bioprinted into a new body and comes out of the tank with the exact memories and personality of the original Mickey and all subsequent iterations as of the most recent upload data. So WHY does Eight come out of the tank acting like a jerk? For this premise to hold water, 7 and 8 should have been almost the same person, minus the most recent six weeks, and based on the personality of 7, nearly all the challenges of the story could have been either overcome or improved if 7 and 8 had simply talked to each other. Kept each other informed of what was going on, who said what to whom, etc. Heck, even keeping an open comm link might have helped! Then the story could have focused on the two of them working *together* to figure out what was up with the creepers rather than taking forever to figure out what the reader grasped immediately. I get that hunger makes people irrational and grumpy, but still. I find myself wanting to rewrite the story with the characterization problem solved to see how that could play out and what opportunities that might present with both Cat and Nasha.

For that matter, there were LOTS of characters who could have benefited from being 3-dimensional instead of archetypes. Berto, for one. Marshall, for another. Cat, Nasha, the prime creeper who never even gets a name.... Maybe later books in the series will flesh out the characters?

For readers' advisors: story doorway is primary, setting (outer space on an ice planet about a thousand years in the future) doorway is secondary. Some occasional swearing. Some death, but even the descriptions of the various ways Mickey has died are not especially graphic. References to sex, but it's of the fade-to-black variety.

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Nora Goes Off Script

Nora Goes Off Script by Annabel Monaghan
My rating: 5 of 5 stars

Nora Hamilton makes a living writing screenplays for The Romance Channel (a thinly veiled Hallmark Channel), swapping out the details but keeping the essential fantasy romance elements intact. However, when her deadbeat husband leaves, she turns her personal story into a major Hollywood movie, earning enough (barely) to get herself and her kids out of the debt he left behind. The studio even pays extra to use her actual tea house/writing studio for the last two days of filming. However, when they pack up and leave, she discovers the leading man--famous actor Leo Vance--remained behind. He begs to be allowed to stay and rest in the tea house, offering her $1000/day in rent--money she badly needs to fix her gutters. She agrees, and suddenly she finds herself playing tour guide and shopping tutor for a gorgeous man eager to participate in her family's life. As he integrates into her world, their relationship evolves into a romantic one, but will he actually stay, or will he leave like her ex-husband did? Nora felt relief when her husband took off; she's very much afraid Leo's departure could shatter her heart.

I absolutely loved this book. It both pokes fun at the formulaic Hallmark movies we all love and love to hate, and also works within that same basic framework. Thankfully, this story is one of the good ones, not the ones with the plastic blonde (or brunette) attempting to pretend to be a regular person. I loved that Leo actually did seem like he could fit into Nora's world, and later she proved she could hold her own in his. Nora's daughter Bernadette seems a bit older than her 8 years, but 10-year-old Arthur is entirely believable. Plus it was a breath of fresh air to read a romance novel where the protagonists are 40-ish instead of 20-somethings.

I think this would be a great book to discuss in a book group. What makes a person stay with someone like Ben who has no observable redeeming qualities? Yet Nora endured almost two decades of his freeloading and emotional abuse until *he* decided to leave. Even if his absence is welcome, those years he was around were traumatic and left emotional scars, so how did that conditioning impact Nora and Leo's relationship, particularly after Leo flew to L.A. for the audition?

For readers' advisors: story doorway is primary, character secondary. All sex happens offscreen, and there are only a few well-placed swear words, so the book is nearly a "gentle read." No violence. All the characters seem to be heterosexual, and racial identity isn't indicated that I can recall, aside from a few names that indicate some secondary characters might be something other than white. Pretty much like the majority of the Hallmark movies, really. (Honestly, that's the biggest drawback--how hard would it have been to make the characters more diverse?)

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The Shaadi Set-Up

The Shaadi Set-Up by Lillie Vale
My rating: 3 of 5 stars

Six years ago, Milan broke up with Rita via voicemail while she was enroute to meet up with him for a European vacation the summer after their sophomore year in college. He shattered her heart, and she hasn't gotten over it in the slightest, despite all her protestations to the contrary. Now Milan is a successful real estate agent...with one exception. He has a house on the market he hasn't been able to sell, and he needs Rita's design help to stage it. Their mothers conspire to set up a meet and manipulate them into working together in the hopes that the reunion will give them a second chance.

What the mothers don't know is that Rita already has a boyfriend, and she isn't interested in giving Milan a second chance. She convinces her boyfriend they should coordinate their profiles on the Desi dating site, MyShaadi.com, so they will match, thereby "proving" they are right for each other. Unsurprisingly, they don't match with each other at all, and soon Rita's boyfriend is dating other women, and Rita is spending all her time fixing up a second home with Milan. However, for a relationship to be successful, the past and present must be reconciled.

I have had a hard time deciding on a rating for this book. I really wanted to like it more than I did. There were some very enjoyable aspects to it but also some aspects that just didn't work for me. I vacillated between two and three stars, for an average of 2.5 stars, which I will round up since half stars aren't an option in Goodreads.

What I enjoyed most about the book was the glimpse into Indian-American culture, much of the banter, and the interactions between Rita and her best friend Rajvee. I also appreciated the steamy foreplay that led into the tasteful fade-to-black sex scenes. And I loved that it was Rita who was the expert with power tools and refurbishing furniture. The story kept me reading and went by pretty quickly.

Overall, though, the book made me grateful I'm not still in my twenties. Ugh. So much angst, so few deep conversations. I just don't understand how it took six whole years for Rita and Milan to uncover the misunderstanding that caused their breakup, given that both maintained contact with Raj. That's a pretty big Best Friend Fail to NEVER talk about such a pivotal event or connect the dots to realize there was more to the story.

I think the love triangle would have been more effective had Neil not been such an obvious mismatch. I wanted to kick him to the curb from the first chapter, and he never changed my mind. SO many things wrong there, including that a relationship should never EVER be based on pheromones alone. It was clear from the very beginning that he would never put Rita first, and she was straining to convince herself everything was fine & he was a good boyfriend. (See above about being grateful to have left my twenties behind.)

One other thing that really bothered me was that it seemed like Rajvee's gender fluidity was an afterthought or a late-in-the-editing process revision because someone said there needed to be an LGBTQIA character somewhere in the book. I was really excited at first when Vale introduced Raj's backstory because books are windows into someone else's experience, and I was looking forward to seeing how that character would develop. But aside from mentioning that Raj feels masculine sometimes and went shopping with Milan in high school for boys' clothes and (theoretically) uses all pronouns, the whole rest of the book depicts Raj as female. In fact, if Vale removed the section of the chapter where Rita recalls the history of Raj and Milan's friendship, I think you would never know Raj was anything but a cisgender woman. That was disappointing to me.

For readers' advisors: story doorway is primary. There is no violence, some swearing. Sex is depicted positively, mentioned regularly, and not described in detail. The main characters are all Indian-American, and most (all?) secondary characters are presumed white.

My thanks to NetGalley and the publisher for a free eBook ARC in exchange for my honest review!

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Evvie Drake Starts Over

Evvie Drake Starts Over by Linda Holmes
My rating: 4 of 5 stars

Evvie Drake's husband died as she was packing up to leave him, and a year later everyone still mistakes her trauma for grief. The truth is, their golden boy was actually emotionally abusive, and now that he's gone, she simply doesn't know what to do next. But no one, not even her best friend Andy, knows the truth. She's got baggage. And bills. Lots of them. So when Andy asks her to rent the apartment off the back of her kitchen to his friend Dean, who used to be a famous pitcher until he inexplicably lost the ability to throw a baseball where he wanted it to go, she agrees. Over the course of the next year, Evvie and Dean grow from acquaintances to friends to lovers, but they each have so much healing to do, can they move forward together?

I stayed up past my bedtime to finish this novel. I didn't want to put it down until Evvie got the therapy she needed and Dean figured out what direction he wanted his life to take now. I loved that the author didn't write easy, magical fixes, and that the romance was slow build. Since I would categorize this book as Relationship Fiction--Evvie's relationships of all kinds were important to the story--I was afraid for a while that Evvie and Dean would permanently go their separate ways.

For readers' advisors: character doorway is primary, story secondary. There are swear words sprinkled throughout and some alcohol consumption, but no violence, and the sex scenes are fade-to-black. Evvie is a survivor of emotional abuse (constant gaslighting and some social isolation), so that might be a trigger for some readers, though it's all in the past, as the perpetrator dies in the first chapter.

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Highfire

Highfire by Eoin Colfer
My rating: 3 of 5 stars

I finished reading the ARC from NetGalley a couple of weeks ago, and even with that amount of time to ponder, I still am not quite sure what I thought/think of the book. It is definitely unlike anything I have ever read before! From the description, I was expecting something much less dark and violent. Yes, there is a great deal of humor, but it's not a lighthearted read. Characters die, nearly die, and lose body parts. The vast quantity of profanity starts on page one, the crude sexual references and jokes not long after.

You can't help but root for teenage (Everett) Squib Moreau, and I grew fond of Vern, the depressed curmudgeon of an ancient dragon, as time went on, too. Constable Hooke freaked me out--he's a ruthless psychopath who has been getting away with murdering people for years, beginning with his cruel zealot of a father.

On balance, I think I'm glad I read the book because it was so unusual and kept me reading to find out what would happen. But it's not one I'll re-read. I prefer my escapist fiction to be more laugh-out-loud and less dark. I'm sure other people with different reading tastes will love this, though.

For readers' advisors: story doorway is perhaps primary? Readers will need an incredibly high tolerance for bad language, sexual references, and on-screen violence. Vern is, he believes, the last of his kind--a fire-breathing dragon ("Vern" is short for "Wyvern"). The closest genre it fits into is contemporary fantasy because the story revolves around a dragon living/hiding in a swamp in a modern-day Louisiana bayou.

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