The Wishing Bridge

The Wishing Bridge by Viola Shipman
My rating: 1 of 5 stars

Henri Wegner grew up a beloved child in Frankenmuth, Michigan, helped her father plan and execute his dream of opening the world's largest Christmas store, and then moved to Detroit to live her own dream of going to business school. She couldn't wait to leave behind small-town life and her childhood sweetheart. Fast forward a few decades, and the company she has worked for since graduating is now run by the son who inherited when his father died, and the son's a 2-dimensional stereotype of a greedy corporate shark. To save her job, she impulsively promises to convince her father to sell his now-famous, beloved store to a soulless company that will destroy it for profit. All she has to do is go home in December for the first time in years and betray her family to save a job she hates and doesn't really need or have strong ties to anymore.

*sighhhhhh* I wanted to like this book. It's a Hallmark Christmas movie in book form. Sadly, it is NOT one of the good Hallmark movies. There is no real conflict in this book, just a couple hundred pages of a grown woman agonizing over the world's most obvious choice.

This story is an identity crisis, and not in the way it intends (see above about the faux dilemma). Henri is introduced as being 52 years old, but the math on that doesn't work out, since based on the timeline of all the flashbacks, she had to be born in 1967, and the main part of the story has to take place now (2023) or thereabouts because of how the author refers to the COVID pandemic's effect on businesses in town. So Henri is actually 56. A 56-year-old woman with the angst and immaturity of a 26-year-old.

And that's, I think, really the problem. I LOVE finding stories centered on middle-aged characters, but this one doesn't feel authentic in the slightest. We are supposed to believe that Henri has lived and worked in the same place for *decades* and yet seems to have zero community? Her assistant is the closest thing she has to a friend in the city. There is no mention of anything that would in any way tie her to her current life--no friends or neighbors or former coworkers she keeps in contact with, no favorite restaurants or theatres, no faith community, no personality of any sort in her fancy, cold, uber-modern condo, and her work life is unbearably toxic. Apparently Henri has had the world's most routine, robotic life for the past 34 years, and we're supposed to believe this is in some way hard to give up to come home to a place she says she loves and feels loved, to take over management of a business she helped get started and still feels nostalgic for?

If Henri *had* been 26, I could buy that she was a workaholic driven by ambition and focused on her career to the exclusion of all else. I could believe that she was facing a quarter-life crisis and grappling with the realization that her life was going in the wrong direction. Actually, I could believe that of a 56-year-old if the circumstances of her life were different--multi-dimensional instead of a negative caricature of "Big City Life." It feels as though Henri was intended to be 26, but the author wanted to include all the nostalgia of life in the 1970s & 80s, which she couldn't do without making Henri a generation older. And it just doesn't work.

I did appreciate the nostalgic bits--I am old enough to have grown up with the excitement of those huge Wish Books at Christmastime that came from Sears and Montgomery Ward. However, I'm also old enough to know that NO ONE in 1975 was excited to get Star Wars figurines for Christmas, as is asserted in the opening of the book, because Star Wars didn't come out until 1977. That was just the first of several anachronisms.

One other thing really bugged me: toward the end, when Henri's boss & rival showed up at her family's store "unexpectedly" (it was telegraphed so hard...), Ms. Shipman describes the two of them sitting on the giant Santa throne in an "unchristian" way. I'm assuming she meant something akin to "lewd" or "x-rated," so the term raised my hackles. And then I snort-laughed at the implication that Christians don't have sex. Sure would be a lot fewer if that were true!

As with all Hallmark Christmas movies, there was supposed to be a romantic theme. Again, it would have worked quite well if the main characters had been 26 instead of 56. Or if they had spent more time getting to know the people they've grown into over the past 35 or so years since Henri broke Shep's heart, and IF the people they have become were actually a good fit. But that was pretty much glossed over, aside from Shep's newfound maturity a la post-divorce therapy. Nothing at all with the realities of single-sided step-parenting (which I can promise you is tricky!). I honestly think the most real character was Shep's ex-wife Hannah, who had done some major self-reflection and personal growth that Henri and her childhood BFF had not. Well, Sophie might have done a bit. All that is to say, the romance aspect of the book, which is usually my favorite part of a Hallmark Christmas movie, was both incidental to the main story and disappointingly paper thin.

For readers' advisors: I'm going with setting doorway as primary, for the descriptions of Frankenmuth and all its snowy businesses. There was no sex or violence, only a little swearing and a fair amount of drinking. Don't suggest this book to anyone who cares about complex, well-developed characters or a compelling plot, but it will probably appeal to readers who don't care about those things and just want to inhabit a Bavarian Christmas fantasy-land for a while. In that, it succeeds!

Nevertheless, I am very grateful to NetGalley and the publisher for the free eBook ARC in exchange for my honest opinion.

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Fly Girl: A Memoir

Fly Girl: A Memoir by Ann Hood
My rating: 4 of 5 stars

I was in preschool the year that Ann Hood began her career as a flight attendant for TWA, but I do remember a little bit about what it was like to fly at that time, though I most definitely never got to experience the luxuries of flying first class. Her memoir is a fascinating look at what it took to become and remain a flight attendant in the years when the airline industry was undergoing massive upheaval both culturally--the sexism is nauseating in the extreme--and financially, with deregulation bringing both positive and negative changes, and corporate greed causing widespread devastation.

My favorite parts of the book were the ones focused on her personal experiences and growth. Hood's recounting of her time at the Breech Training Academy in Kansas City was captivating. I wasn't surprised that they were trained to do all the obvious things like demonstrate how seatbelts and life vests work, but I had no idea the breadth and depth or complexity of their training, from how to carve chateaubriand (they used to do that on airplanes?!) to how to deliver a baby, and a million other responsibilities big and small. I don't know how many of those tasks are still part of modern-day flight attendant training--I'm assuming the meat carving isn't a thing any more--but I have a whole new appreciation for the men and women who have patiently offered me drinks and hot towels on past flights.

I also found the history of the airline industry itself to be fascinating, though I struggled with the lack of coherent timeline. Actually, that's true for some of her personal recollections as well--she tends to go off on tangents during anecdotes sometimes. All of which are interesting, but the non-linear detours did make it difficult for me to figure out when various events took place. The overall story arc moved chronologically, but the individual threads zigzagged.

One thing that surprised me was that for all the stories of what life was like as a beautiful, young, single woman with an adventurous spirit, and her tales of dating or refusing propositions, there is virtually nothing about meeting or marrying her husband. I thought that's what she was alluding to with her recollection of meeting 47F, but alas, no. Perhaps that means meeting her husband was unrelated to her time as a flight attendant? Perfectly fine to keep that story private, but I admit I was a little disappointed.

All in all, I very much enjoyed reading this memoir. 3 1/2 stars, but I'll round up. Many thanks to Bookbrowse and the publisher, W. W. Norton & Company, for the free ARC in exchange for my honest review.

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Payback's a Witch

Payback's a Witch by Lana Harper
My rating: 4 of 5 stars

Emmy Harlow left town as soon as she graduated from high school and has only been back to visit a few times since then, determined to live a magic-free life on her own terms in Chicago, after a painful breakup from an ill-advised secret romance with the Blackmoore family scion decimated her self-esteem. Now 26, Emmy has a job she adores, a mountain of student-loan debt, and a fierce desire to maintain her distance from everyone and everything she used to love. Enter The Gauntlet, a centuries-old tradition wherein the scions of the town's magical founding families compete once "every fifty years to determine which founding family got to preside over all things magical in Thistle Grove." The Harlow scion is the impartial Arbiter, and Emmy is the Harlow scion.

Her first night back in town, Emmy heads to a local bar and encounters her worst nightmare: Gareth Blackmoore and his drunk buddies. For his part, Gareth...absolutely doesn't recognize her and tries to hit on her, stunned that his pickup lines fail to impress. Natalia Avramov witnesses Emmy and Gareth's encounter and, to Emmy's shock, not only recognizes but actively remembers her from high school, though Talia was two years ahead. The women spend the rest of the evening drinking and bonding. The following morning, Emmy drags her pounding head to brunch with her BFF Linden Thorn and gets another shock: not only has Talia also had..."unfortunate relations" with Gareth, but he recently broke Lin's heart. Talia crashes their brunch to propose revenge: an unprecedented alliance between the Thorn scion (Lin's twin brother Rowan) and Avramov scion (Talia) against the Blackmoore scion (Gareth) at the upcoming Gauntlet. Though the challenges cannot be known in advance, plotting and planning provides ample time for sparks to fly between Talia and Emmy. Will those sparks be enough to rekindle Emmy's love for their town, or will they flame out as the Gauntlet ends?

This book was great fun to read, especially the descriptions of how the magic felt as it roared through Emmy, and I really enjoyed the steamy romance between Talia and Emmy, though sometimes I wanted to remind them that relationships which last cannot be built from chemistry alone--feeling "at home" with your partner is far more important than flutters and zings. Reading Emmy's struggle with her quarter-life crisis made me grateful to be past that phase of life. So much angst and self-delusion, so much pointless resistance to that which feeds her soul. I also appreciated that for all the angst, sexuality was a non-issue. No one batted at eye at Emmy being bisexual or Talia having a strong preference for women, yet also having a foolish fling with a man after a bad breakup. Humans are humans, and heartbreak is heartbreak.

I look forward to book two in the series, which presumably will feature Rowan and Isidora. Perhaps the author will flesh out some unanswered world-building questions in that installment, such as how intermarriage between founding families affects magical abilities and bloodlines. Surely this has come up at some point in the past 300 years? They can't *all* have married "normies." Or along those same lines, how are family names passed down? Specifically, do men who marry into the founding families take their wives' last names? Is that how Emmy's grandmother was able to keep and pass on the Harlow name? Or Gareth's grandmother? These questions and others didn't keep me from enjoying the story, but they did make me stop and wonder.

For readers' advisors: story and character doorways are both strong. There is a lot of swearing and drinking (I am seriously concerned for their livers!) but no violence. Tons of flirting, raging hormones, sexy thoughts and banter--in short, it's pretty steamy/spicy, but not especially explicit. The Gauntlet is reminiscent of the Triwizarding Tournament in Harry Potter.

Many thanks to NetGalley and the publisher for the eGalley ARC in exchange for my honest opinion!

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The Shaadi Set-Up

The Shaadi Set-Up by Lillie Vale
My rating: 3 of 5 stars

Six years ago, Milan broke up with Rita via voicemail while she was enroute to meet up with him for a European vacation the summer after their sophomore year in college. He shattered her heart, and she hasn't gotten over it in the slightest, despite all her protestations to the contrary. Now Milan is a successful real estate agent...with one exception. He has a house on the market he hasn't been able to sell, and he needs Rita's design help to stage it. Their mothers conspire to set up a meet and manipulate them into working together in the hopes that the reunion will give them a second chance.

What the mothers don't know is that Rita already has a boyfriend, and she isn't interested in giving Milan a second chance. She convinces her boyfriend they should coordinate their profiles on the Desi dating site, MyShaadi.com, so they will match, thereby "proving" they are right for each other. Unsurprisingly, they don't match with each other at all, and soon Rita's boyfriend is dating other women, and Rita is spending all her time fixing up a second home with Milan. However, for a relationship to be successful, the past and present must be reconciled.

I have had a hard time deciding on a rating for this book. I really wanted to like it more than I did. There were some very enjoyable aspects to it but also some aspects that just didn't work for me. I vacillated between two and three stars, for an average of 2.5 stars, which I will round up since half stars aren't an option in Goodreads.

What I enjoyed most about the book was the glimpse into Indian-American culture, much of the banter, and the interactions between Rita and her best friend Rajvee. I also appreciated the steamy foreplay that led into the tasteful fade-to-black sex scenes. And I loved that it was Rita who was the expert with power tools and refurbishing furniture. The story kept me reading and went by pretty quickly.

Overall, though, the book made me grateful I'm not still in my twenties. Ugh. So much angst, so few deep conversations. I just don't understand how it took six whole years for Rita and Milan to uncover the misunderstanding that caused their breakup, given that both maintained contact with Raj. That's a pretty big Best Friend Fail to NEVER talk about such a pivotal event or connect the dots to realize there was more to the story.

I think the love triangle would have been more effective had Neil not been such an obvious mismatch. I wanted to kick him to the curb from the first chapter, and he never changed my mind. SO many things wrong there, including that a relationship should never EVER be based on pheromones alone. It was clear from the very beginning that he would never put Rita first, and she was straining to convince herself everything was fine & he was a good boyfriend. (See above about being grateful to have left my twenties behind.)

One other thing that really bothered me was that it seemed like Rajvee's gender fluidity was an afterthought or a late-in-the-editing process revision because someone said there needed to be an LGBTQIA character somewhere in the book. I was really excited at first when Vale introduced Raj's backstory because books are windows into someone else's experience, and I was looking forward to seeing how that character would develop. But aside from mentioning that Raj feels masculine sometimes and went shopping with Milan in high school for boys' clothes and (theoretically) uses all pronouns, the whole rest of the book depicts Raj as female. In fact, if Vale removed the section of the chapter where Rita recalls the history of Raj and Milan's friendship, I think you would never know Raj was anything but a cisgender woman. That was disappointing to me.

For readers' advisors: story doorway is primary. There is no violence, some swearing. Sex is depicted positively, mentioned regularly, and not described in detail. The main characters are all Indian-American, and most (all?) secondary characters are presumed white.

My thanks to NetGalley and the publisher for a free eBook ARC in exchange for my honest review!

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The Last Chance Library

The Last Chance Library by Freya Sampson
My rating: 3 of 5 stars

June Jones is 28 years old, lives alone, has no friends her own age, and hasn't gone anywhere or done anything since her mother lost her battle with cancer eight years ago. Painfully shy, June loves her job as a library assistant at the village library, where she is surrounded by the friendly whispers of the books on the shelves and the comfort of routines. The job itself is one she stumbled into ten years ago when her mother, one of the librarians on staff, became to ill to work, and the duo needed money to survive. But taking the job--and keeping it--meant foregoing her dream of college and becoming an author. Instead, June daydreams about the secret lives of the patrons and spends her free time reading the classics. Her mother's best friend, Linda, continues to prod June, hoping to convince her to wake up and live a little, but June is content to float through life wrapped in a cocoon of safe familiarity.

That cocoon evaporates the day the news comes out that the county council is considering closing six libraries, including Chalcot Library. June is devastated, and the regulars are up in arms. They form a protest group, FOCL (Friends of Chalcot Library, pronounced Fock All), to resist the closure, but as an employee, Jane is forbidden from participating in any way, including telling anyone why she isn't joining in. Tensions rise, and eventually June musters the courage to rebel by sending anonymous tips to FOCL regarding some underhanded backroom dealings she witnesses. She is encouraged to do this by her old school chum, Alex, the handsome attorney back in town to help with the family's Chinese food restaurant while his dad recovers from hip surgery.

Over time, June emerges from her self-imposed prison of grief and realizes how much she has missed. She also begins to realize just how much she doesn't know about the people she interacts with in the library every day, and how much more there is to their stories. Will it be too little, too late?

What I loved best about this book was that the author correctly identifies June as a library assistant and NOT a librarian. Becoming an actual librarian involves earning a bachelor's degree in any field AND a master's degree in library science. June hasn't been to college at all and therefore cannot be a librarian. Most people who work at libraries are assistants, and not librarians. Doesn't mean June isn't good at her job; it just means her training and experience is different.

I also loved getting to know the quirky characters, despite them each being well-known stereotypes: the homeless man, the brilliant child, the elderly curmudgeon, the outspoken voracious reader who hates all the books, the teenager seeking a quiet place to study, and the recent immigrant trying to make a go of it in her new home. I loved the way June's fantasies merged into Mrs. B's rants or queries from other patrons. I enjoyed watching June take steps into the world and cringed when she crumpled or was crushed by the Mean Girls. And I appreciated that the plot took a few zigs and zags to keep things a bit less predictable. Also June's impromptu scheme to kill two birds with one stone by redirecting Rocky away from the "hen do" and toward the FOCL rally cracked me up.

What I could have done without were the cliches--like her curly hair being pulled into a tight bun, her uber-lonely life with books as her only true friends, or the fact that despite working in a library for TEN YEARS, she seemed to have never read anything written in this century. I get that June's mom dressed her in random stuff from thrift shops, and she was a nerdy kid, but there is simply no way she was that isolated or clueless. Hurt by her best friend's betrayal, yes, but to the point of never ever making another friend? That just feels like the author is belittling the intelligence and social capabilities of readers, which sets my teeth on edge.

I haven't researched the state of British libraries, so I cannot speak to the likelihood of closures like this where over half the council seems oblivious to the obvious benefits to society of having a functional, funded library, or where greedy council members push a nefarious agenda, but it was reminiscent of both The Bookshop on the Corner by Jenny Colgan and The Library at the Edge of the World by Felicity Hayes-McCoy, so maybe it's a trend in the U.K. & Ireland?

Overall this book was a solid 3 stars out of 5 for me. I liked it, but it had serious flaws also. Many thanks to the publisher and to BookBrowse for the free ARC in exchange for my honest opinion!

For readers' advisors: character doorway is primary, setting (small village in England) is secondary. No sex or violence, but there is some occasional swearing, and grief related to cancer.

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Party of Two

Party of Two by Jasmine Guillory
My rating: 4 of 5 stars

3.5 stars

A fun rom-com about an African American attorney moving to L.A. to start her own firm with her best friend who meets a charismatic, idealistic white senator in a hotel bar without recognizing who he is. When they meet again by chance, they decide to start dating discreetly, despite Olivia's misgivings relating to Max's high-profile job.

I enjoyed the book very much. It's the fifth in the series, but only the second one I've read so far. It probably helps to have read the others, but it isn't necessary, particularly for this installment. I personally would have liked a bit more time to develop the characters and the relationship, and a bit less angst from Olivia, but it was a fun read nonetheless.

For readers' advisors: story doorway was primary. Several steamy sex scenes, but not terribly graphic. No violence, but plenty of swearing.

I read an ARC from NetGalley and the publisher in return for my honest option.

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The Women with Silver Wings: the inspiring true story of the women airforce service pilots of World War II

The Women with Silver Wings: The Inspiring True Story of the Women Airforce Service Pilots of World War II by Katherine Sharp Landdeck


Katherine Sharp Landdeck's detailed account of the day-to-day experiences of the women who flew for the Army Air Forces and the long-term machinations and political maneuvering involved in the evolving alphabet soup of acronyms is riveting. Her extensive research included years of interviewing and becoming friends with dozens of the women; reading their letters, diaries, memoirs, and speeches; combing through newspaper archives, photos, accident reports, and government documents; and triple-checking everything. My husband is an air force officer and military history buff, so I enjoyed the opportunity to read about one of his favorite subjects but from a female perspective.

It's endlessly astonishing to me how sexist (and racist) beliefs can persist when they are so demonstrably false and utterly ridiculous. Still more astonishing is that they persisted during WWII when sheer practicality should have rendered them moot: women not only could fly anything and everything, they NEEDED to do so in order to maximize the number of men able to fight. (Never mind that women could have also done an excellent job of fighting.) Landdeck's meticulously researched "The Women with Silver Wings" brings this absurdity into sharp focus.

Since I'm reading an advance reader's edition (ARC), the endnotes haven't yet been numbered, nor are they marked within the text, but once that happens for the final published version, they will be beneficial, although in some cases it would be nicer if they were footnotes and more easily read without flipping back and forth. Also, the extensive number of women featured in the book makes me wish for some sort of Cast of Characters list with a sentence or two to remind me who's who & has which background. But that's a minor quibble in an otherwise fascinating book.

Many thanks to Bookbrowse.com and the publisher for the ARC they sent me in exchange for my honest review.

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A Bad Day for Sunshine

A Bad Day for Sunshine by Darynda Jones
My rating: 4 of 5 stars

It's Sunshine Vicram's first day on the job as Sheriff of Del Sol County, New Mexico. She got elected despite being unaware she was even running, thanks to her parents, who were determined to both bring her back to Del Sol and get rid of the corrupt, inept incumbent. Within minutes of her arrival, homemade muffins are delivered, horrifying her staff, who have long since learned that the size of the muffin basket portends the scope of the crazy or catastrophic cases coming their way. Today's basket is huge, and sure enough, a short time later a Mercedes crashes through the front of the sheriff station, driven by a desperate mother whose teenage daughter has just been kidnapped--an event the daughter has been predicting since she was a little girl. Sunshine and her deputies have only three days to find Sybil before her captor kills her.

I stayed up WAY past bedtime because I couldn't stop reading until I finished this book. The writing style is very witty (quite similar to Jones' Charley Davidson series) and just as fast-paced as the plot. In fact, the relationship between Sunshine Vicram and her daughter Auri reminded me a lot of Lorelei & Rory Gilmore of Gilmore Girls. Well, except that Lorelei knows from the beginning who Rory's father is, and Sunshine doesn't figure out Auri's until WAY WAY WAY after the reader catches on.

For readers' advisors: story doorway is primary, language is secondary. The closest genre this book/series fits into at the moment is humorous mystery/suspense. There is a strong romantic subplot, (well, two, actually, and a bit of a third) but it will probably take another book or two (or 5, at the rate Sun's going) to develop into anything like a real relationship. There is one dream sequence that counts as a sex scene and some sexual references. Since the plot of the book focuses on a current and a past abduction, there is also reference to rape, in case that is a trigger for anyone. Also some off-screen violence, a bit of profanity sprinkled throughout, and on-screen teen bullying of Auri by a Mean Girl & her lackeys.

The diverse, quirky characters include many with brown skin in various shades and from a variety of ethnic backgrounds, chiefly Latino, African, and Apache. The father of one character is deaf, and another character is on the autism spectrum, so ASL is mentioned semi-frequently. Unlike with Jones' Charley Davidson series, there is only a hint of anything possibly beyond normal human experience. It's not urban fantasy. A minor character from the Charley series has a small cameo, however, and that was fun!

I read a free ebook ARC courtesy of NetGalley and St. Martins Press in exchange for my honest review. The only bad thing about that is that now I have to WAIT for the next book in the series to be written. Waiting is HARD.

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Father of Lions: the remarkable true story of the Mosul Zoo rescue

Father of Lions: The Remarkable True Story of the Mosul Zoo Rescue by Louise Callaghan
My rating: 4 of 5 stars

Father of Lions is a fascinating glimpse into life in Mosul before, during, and after ISIS (Daesh) control. Until the last quarter of the book or so, it focused far less on the zoo and the few animals struggling to survive than it did on the humans, however. I hadn't expected this, so it seemed almost like reading a civilian survival story and its animal-rescue-themed sequel. Louise Callaghan has done an amazing job of evoking the tense, dusty, waiting and mortar-driven hiding inherent in an urban battlefield. Her pacing intensifies throughout, although sometimes the timeline gets a bit confusing with seasons apparently passing during the span of days, and at times she dwells a bit too much on the pre-ISIS backstory of the participants. For a Western reader many thousands of miles from the fighting, however, Callaghan's portrayal brings the conflict down to a comprehensible human (and feline/ursine) level. It should appeal to anyone interested in either animal welfare or the fight against ISIS.

My thanks to Bookbrowse.com for the ARC they provided in exchange for my honest review.

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Highfire

Highfire by Eoin Colfer
My rating: 3 of 5 stars

I finished reading the ARC from NetGalley a couple of weeks ago, and even with that amount of time to ponder, I still am not quite sure what I thought/think of the book. It is definitely unlike anything I have ever read before! From the description, I was expecting something much less dark and violent. Yes, there is a great deal of humor, but it's not a lighthearted read. Characters die, nearly die, and lose body parts. The vast quantity of profanity starts on page one, the crude sexual references and jokes not long after.

You can't help but root for teenage (Everett) Squib Moreau, and I grew fond of Vern, the depressed curmudgeon of an ancient dragon, as time went on, too. Constable Hooke freaked me out--he's a ruthless psychopath who has been getting away with murdering people for years, beginning with his cruel zealot of a father.

On balance, I think I'm glad I read the book because it was so unusual and kept me reading to find out what would happen. But it's not one I'll re-read. I prefer my escapist fiction to be more laugh-out-loud and less dark. I'm sure other people with different reading tastes will love this, though.

For readers' advisors: story doorway is perhaps primary? Readers will need an incredibly high tolerance for bad language, sexual references, and on-screen violence. Vern is, he believes, the last of his kind--a fire-breathing dragon ("Vern" is short for "Wyvern"). The closest genre it fits into is contemporary fantasy because the story revolves around a dragon living/hiding in a swamp in a modern-day Louisiana bayou.

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Twice in a Blue Moon

Twice in a Blue Moon by Christina Lauren
My rating: 4 of 5 stars

When Tate Jones is 18 years old, her grandmother takes her on a rare vacation to London. While there, Tate meets the 21-year-old Sam Brandis and his grandfather, Luther, also on a rare vacation in London. The quartet spend most of their waking hours together, and Sam and Tate fall deeply in love, telling each other their deepest secrets: Tate is actually the daughter of Hollywood's biggest movie star, raised in a tiny town since her parents divorced a decade earlier, and despite being kept strictly out of the spotlight, what she really wants to do is act; and Sam would rather be a writer than take over the family farm. When circumstances cause Sam to sell Tate's identity to the paparazzi, she's devastated...and also plunged into the very career she secretly desired. For fourteen years, the pair have no contact, until the day the now-famous Tate steps foot on the set of the new movie she's about to film and is shocked to discover that the screenwriter is, in fact, Sam. Old wounds are reopened, lanced, and given an opportunity to finally heal.

I really enjoyed this quieter tale of first love and the struggle to understand and forgive. The common theme among reviewers who didn't like this book seems to be that they were all expecting the type of humor found in most of Christina Lauren's previous novels, so if readers set expectations aside (or read something else if they are in the mood for banter and slapstick), the tone of this book shines.

I did find that certain aspects of this story strained credulity, however. For one thing, once the initial shock of betrayal wore off, why didn't Tate ever ponder what could have caused Sam to sell her out? She had to have known it would take something extraordinary, and she knew the name of his town, so it wouldn't have been that hard to locate him. Likewise, she was insta-famous, so surely Sam could have tracked her down to apologize and explain?

For another thing, how on earth could Tate have read the movie script and NOT recognized the story? It was completely obvious who wrote it and about whom. Even if she didn't recognize it prior to arriving on set, she should have caught a clue the moment she discovered Sam was the screenwriter.

Also, despite her fourteen years in the spotlight, Tate remains surprisingly naive. She really should know better than to believe anything her father says--she KNOWS it's all an act. So why is she stunned when he betrays her in order to garner media attention? Then again, perhaps that is a common mistake for children of narcissistic parents to make because they so badly WANT to believe their parents might for once put their kids' needs ahead of their own? So maybe that's more accurate than I'd like to think.

Nonetheless, the overall story was really well done, and I greatly enjoyed it. Many many thanks to NetGalley and the publisher for the free ebook ARC in exchange for my honest review!

For readers' advisors: character doorway is primary. Some profanity and a couple of sex scenes. No violence. Main characters are white, but best friend is half Asian, step-grandfather (Sam's) & costar are African-American, & best friend's assistant is gay.

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Royal Holiday

Royal Holiday by Jasmine Guillory
My rating: 4 of 5 stars

Hardworking hospital social worker Vivian Forest takes a long-overdue vacation to the English countryside, accompanying her daughter, Maddie, who's been hired to fill in as stylist to the Duchess during the Christmas holidays. The first morning they are at Sandringham, Vivian visits the kitchen to get some breakfast and discovers not only the cook's scrumptious scones, but also the equally scrumptious private secretary to the Queen, whom Vivian mentally nicknames "Hot Chocolate." The usually reserved Malcolm is astonished to find himself offering to give Vivian a tour, and even more startled when their flirtation grows to include horseback riding lessons, an exchange of humorous handwritten notes, kissing under mistletoe, and a full-blown fling. Sadly, all vacation flings must end, however. ...Musn't they?

I absolutely love that both Vivian and Malcolm are in their fifties. It's so nice to read about characters with established careers and lives, who know who they are and what they like and aren't straining to prove themselves. I so enjoyed Vivian's problem-solving skills and quiet, confident manner in rescuing Malcolm's relationship with his nephew. It did take Vivian a ridiculously long time to decide what to do about her promotion opportunity and Malcolm to sort through his feelings for Vivian, though. But it was probably pretty realistic.

For readers' advisors: character doorway is primary. There is some swearing and sex, although not especially explicit. No violence. The story takes place mostly in England, but also partly in the San Francisco Bay area. It's book #4 in a contemporary romance novel series featuring African-American protagonists, which I didn't realize until after I started reading, but it didn't seem to matter much that I read out of order.

Many thanks to NetGalley and the publisher for letting me read an eGalley copy!

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Someone to Trust

Someone to Trust by Mary Balogh
My rating: 4 of 5 stars

This leisurely paced, delightful tale of a couple finding the courage to buck societal norms and say yes to love is a perfect cozy winter read. Elizabeth is nine years older than Colin--a fact which would be unusual but no big deal in modern society but which was practically unheard of in upper class Regency England. Since this is book #5 in the series (reading in order is recommended, as the many characters reappear in all books), I was cheering as two of my favorite secondary characters got their well-deserved HEA together.

Many thanks to NetGalley and the publisher for letting me read an eGalley ARC copy!

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Unmarriageable

Unmarriageable by Soniah Kamal
My rating: 4 of 5 stars

If you know the story of Jane Austen's Pride and Prejudice, you know the basic outline of what happens in Unmarriageable. The remarkable thing is how well this 200-year-old story has been adapted to the setting of modern-day Pakistan. Brava, Ms. Kamal!

Details have changed, of course, such as Alys Binat being a decade older than her namesake, Elizabeth Bennet, and employed as a teacher of English literature at a girls' school where the students frequently drop out to get married. However, nearly all of the changes enhanced and enriched the story. Some of my favorites include how Darsee's cousin Annie actually gets to speak and display a real personality, Darsee's other cousin being gay, Sherry actually being happy married to Farhat Khaleen & raising his children, a deeper understanding of Pinkie Binat and her obsession with her daughters marrying well, and all the lush cultural details about food & wedding customs, etc. The story of Wickaam's treatment of Darsee's sister is another example, although sharing about that here would necessitate a spoiler alert.

One change I did NOT like, however, was the inclusion of smoking as Sherry & Alys' secret rebellion. I get that the characters might feel the desire to rebel against the restrictions of their gender and financial circumstances/social class. But smoking is a moronic choice. First of all, it's impractical to the point of impossibility--I don't care how many sticks of gum you chew or air freshener you spray, there is NO way to disguise the pervasive stench of cigarette smoke, even if you light up in a cemetery or out a window of a particular room in a large house. Smokers always stink, no matter how much they may delude themselves otherwise. Second of all, Sherry was so conscious of her impossibly tight budget, it seemed entirely unrealistic that she'd choose an expensive vice that would deprive her family of desperately needed financial resources. True, millions of people do this very thing, but it's not consistent with Sherry's character.

I actually read this a couple of months ago but didn't have a chance to write my review at that time. (Sorry, NetGalley & Random House - Ballantine! Thanks for the free ARC ebook anyway!)

For readers' advisors: character and setting doorways are very strong. Surprisingly for a retelling of such a famous book, story doorway is actually quite strong as well. There are a handful of swear words, some sexual innuendo, and no violence. Setting is, as mentioned above, modern-day Pakistan (early 2000s, I think?).

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Vox

Vox by Christina Dalcher
My rating: 5 of 5 stars

In this near-future dystopia, a right-wing, ultra-conservative preacher leads the "Pure" movement which controls the country to the point where women, girls, and even female babies are forced to wear counters on their wrists which limit them to 100 words per day and administer increasingly painful shocks for each word over that 100. Reading and writing are forbidden. Jobs, passports, and bank accounts, etc., are for men and boys only. Anyone who doesn't adhere to the "Pure" standards--such as adulterers, all LGBTQIA people, and those who protest the restrictions--are sent to "work camps" to do hard manual labor in utter silence. And worse.

Dr. Jean McClellan has been chafing for a year at the restrictions, ripped away from her work as a top neuroscientist days before from curing Wernicke's aphasia--an illness which strips language from its victims, making words jumbled and meaningless. Then the president's brother is stricken with the illness, and suddenly the Reverend Carl and an assortment of suited men in black SUVs show up at her door with an offer she ultimately cannot refuse: return to work long enough to finish the anti-aphasia serum. Touring her new tightly monitored lab with teammates Lorenzo and Lin confirms that all is not above-board, wreaking havoc with her plan to buy time (and unlimited words) for herself and her daughter by not revealing how close they already are to a cure. Question is, is it really a cure that those in power want?

Jean used to be apolitical, never imagining a fringe movement could gain such power. Now she's fighting for the lives of everyone she loves as part of an underground resistance network. Her tension, frustration, despair, rage, and fear are palpable. I could almost hear relentless, urgent music playing in the background as I read. It was particularly haunting to alternate reading this novel with listening to the third Maggie Hope mystery, set primarily in WWII Berlin. In the era of a Trump White House, this cautionary tale should inspire you to exercise your right to vote, speak up, and join protest movements...while you still can.

Do not read this at bedtime because you'll either try to sleep and fail, or keep reading through the night until you finish the book.

For readers' advisors: story doorway is primary, character and setting are secondary. There is quite a bit of profanity, some sex, and some violence.  There is a lot to discuss, so it's a good choice for book clubs.  Also suggest to fans of The Handmaid's Tale or Future Home of the Living God.

Many thanks to Bookbrowse.com and the publisher for the ARC I received in exchange for my honest review! I don't usually read dystopia, but this was excellent.

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Someone to Care

Someone to Care by Mary Balogh
My rating: 5 of 5 stars

Viola Kingsley spent more than two decades as Viola Westcott, Countess of Riverdale. It was a loveless marriage, but she did come out of it with three children. As it turned out, that was ALL she got out of it--upon the death of the Earl, the entire Westcott family discovered that Viola and Humphrey had never been legally married, since his unknown first wife was still alive at the time of their wedding. Overnight Viola went from being a wealthy widow to a penniless pariah. The Earl's title transferred to a very reluctant Cousin Alexander; the Earl's money went to his sole legitimate heir: Anna, his daughter from his first marriage.

Several years later, Viola's life has stabilized: instead of being rejected by her family, the entire Westcott and Kingsley clans have gone out of their way to enfold and support her. Camille, her eldest daughter, has made her a grandmother. Anna is impossible to hate and absolutely insisted on giving Viola's home and dowry back to her and to her youngest daughter, Abigail. Viola worries constantly about her son Harry, back with his regiment and fighting Napoleon's forces, but he says he's having the time of his life. She should be content. And yet....

Just after her grandson's christening, Viola snaps. She has been suppressing her true self for a quarter of a century, and at 42 years of age, she no longer knows who she is and desperately needs to be alone to figure it out. She makes her escape in a hired carriage, which breaks down in a small village in the middle of nowhere, stranding her temporarily at the sole inn. Because Fate has a wicked sense of humor, she's not the only traveler stranded there that day. Marcel Lamarr, Marquess of Dorchester, the only man to ever tempt her to break her marriage vows, is already in the main dining room when she arrives. It's been fourteen years since she sent him away....

Marcel has a well-earned reputation as a gambler and cynic, a long list of former mistresses, and a history of avoiding family responsibility. He's in no hurry to return to his estate and deal with the various relatives living there, including his own children. In fact, he's successfully avoided dealing with them more than a few brief times a year since his wife's fatal accident almost 17 years ago. When he spies Viola, he makes the impulsive decision to send his brother away with his carriage, intending to test his powers of persuasion...and is delighted when she doesn't turn down his offer to escort her to the village fair. He's even more delighted when she agrees to spend the evening with him...and then to run away with him to his remote cottage.

What starts out as an impulsive fling evolves into a far more complicated relationship as the weeks go by, eventually becoming impossibly tangled once they are discovered by their respective families. For it turns out that responsibilities are not shed quite as easily nor permanently as Marcel had talked himself into believing, and to his astonishment, he's no longer sure he wants them to be.

This fourth book in the Westcott series is my favorite so far, and not just because the protagonists are only slightly younger than I am (a nice change from twenty-somethings who are magically as mature as people a decade older). Ms. Balogh is known for her character-driven romances, and this is one of her best, in my opinion. Viola and Marcel bring lots of baggage to their relationship, and the journey they make toward reconciliation and healing, particularly Marcel in his broken relationships with his children, is an absorbing story to read.

For readers' advisors: character doorway is primary, setting (1813 England) is secondary. There is no violence, but there are sex scenes (not overly explicit) and some mild swearing (mostly variations on "damn").

Many many thanks to NetGalley and the publisher for the ARC ebook I received in exchange for my honest review.

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Someone to Wed

Someone to Wed by Mary Balogh
My rating: 4 of 5 stars

Alexander Westcott unexpectedly inherited an earldom and a struggling estate last year but not the fortune to go with it, making him an excellent candidate for Wren Hayden's husband search. She plans to snare a husband with her fortune in order to overcome the impediment of a marred face and hermit lifestyle. Wren fails to take into account his social responsibilities and large close-knit family, however, and quickly changes her mind. Sparks of interest, though, are not so easily extinguished....

I really liked that the heroine was slightly older (about 30) and had a big purple birthmark on her face instead of being 20 and conventionally beautiful. (OK, so other than the birthmark she was beautiful, but still.) Wren probably should have struggled a bit more in overcoming 20 years of hiding her face behind a veil after 10 years of being locked in her room--had a few more setbacks, perhaps--which really makes my rating more like 3.5 stars, but I so enjoy the Westcott family, I'm rounding up.

I also liked that despite her fear of showing her face to the world and not being taught to read until she was 10, Wren was a savvy, successful businesswoman. Additionally, her blunt, brave honesty saved herself and others from so much anxiety and heartache. I hate when characters avoid saying things because the truth is hard or they fear the answer and think silence or a polite lie will be easier, and then they end up causing MORE pain due to uncertainty, confusion, misconceptions, etc. I hate when this happens in real life, too.

I liked that the romance grew a bit more slowly, although the final scene's dialogue sort of tries to make you think otherwise to a degree. (I didn't buy it, and it was better the other way anyhow.) Alexander and Wren grew to respect each other, which I appreciated.

For readers' advisors: character and setting doorways are primary (Regency England during the Napoleonic wars). There are a couple of sex scenes but not terribly explicit. Occasionally a mild swear word. No violence.

I received a free ARC from NetGalley and the publisher in exchange for my honest review.

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Seven Days of Us

Seven Days of Us by Francesca Hornak
My rating: 2 of 5 stars

The Birch family hasn't been close in many years, so spending an entire week together in quarantine over the Christmas holidays is an ordeal. Until they are certain that eldest daughter Olivia hasn't been infected with the deadly Haag virus while treating its victims in Liberia, they are virtually cut off from the outside world, holed up at the family's decrepit country manor house, each one desperately trying to keep his or her secrets hidden.

Other people have described this novel as both warm and funny, and I have to ask...what book were they reading? Despite some unbearably hot weather we had while I was reading, I felt chilled to the bone by the self-centered, dishonest characters and the gloomy, damp setting. Jesse irritated me the least, aside from Hornak's overuse of the word "like" in his speech (he's a grown man in his mid 30s--he wouldn't talk like a teenager). All the other characters were imprisoned in their individual silos of self-absorption. Obviously life isn't all sunshine and flowers, but honestly, it doesn't have to be that miserable--just tell the truth. Get over yourselves and pay attention to someone else for a change. Stop trying to hide cancer, job dissatisfaction, recently discovered children, forbidden relationships and protocol violations, sexual preferences, doubts, and all the other sources of anxiety. These things disconnect people from each other just as surely as they disconnected me from this whole cast of characters.

The story itself could have moved along more quickly, I felt. As soon as Jesse and Emma had their chat at the airport, I could see where that was headed, but it felt like an eternity before we got there. There was one twist at the end that I didn't see coming, but everything else was telegraphed way in advance. This isn't necessarily a deal-breaker for me, but it didn't help matters, especially when combined with the loose ends left dangling. (For example, Jesse and George's first meeting stayed a secret. Really??)

The tone of this novel strongly reminds me of The Art of Baking Blind by Sarah Vaughan--a book I've never been able to finish because I didn't like any of the characters--perhaps because both are British novels told from different points of view by deeply flawed characters? Thankfully for both authors, there are plenty of readers out there who enjoy spending time with people I can't stand.

For readers' advisors: character doorway is primary, setting secondary. Loads of profanity, including some of my least favorite words. Some sexual content, references. No violence.

I received a free advance reading copy (ebook) from the publisher via NetGalley in exchange for my honest review.

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Young Jane Young

Young Jane Young by Gabrielle Zevin
My rating: 2 of 5 stars

When Aviva Grossman was a young intern for a charismatic but married older congressman in South Florida, she had an affair with him and blogged anonymously about it, not realizing that her choices would ruin her reputation, destroy her budding career, and cause collateral damage to her family. Scandals never really vanish in today's internet world, and years after changing her name and rebuilding her life far away from Miami, hers erupts again when she runs for mayor of her small Maine town.

I am what is known to Nancy Pearl fans as a "character doorway" reader. Since this novel definitely has character as its primary doorway, I expected to really enjoy it. However, I never really connected with any of the characters, and the structure of the story didn't quite gel for me either--it lacked cohesion, which further distanced me from caring about the people in it. I really struggled to figure out what was going on when each section was narrated from the point of view of a different character, and some sections rambled or jumped around in time, making it incredibly difficult to construct a mental timeline or know what to pay attention to. I spent too much energy focusing on details of timing rather than becoming absorbed in the story itself. Had the book better matched its blurbs, particularly the one on Goodreads, I think I would have loved it. I'm sure plenty of readers would disagree with me, but I think tightening up the narration and not starting with Rachel's point of view would have made a world of difference. This novel strikes me as the book version of a student essay written without a clear thesis statement: nuggets of goodness but scattered, unfocused, and with loose ends dangling.

I don't mean to sound harsh. I didn't hate it, and I can see how some readers will absolutely love it. I did enjoy the narrative conceits of letters to a pen pal and choose-your-own-adventure. Even though it took me a while to finish, and the pace of the story arc was very slow, it still felt like it read fast, particularly the final chapters.

Readers' advisors will want to note that there is a fair amount of profanity, and since it's centered around a sex scandal, there are references to sexual activities, including anal sex, and plenty of face-palmingly poor decisions.

I received an advance reading copy from Bookbrowse and the publisher in exchange for my honest review.

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A Tale of Two Kitties

A Tale of Two Kitties by Sofie Kelly
My rating: 4 of 5 stars

Kathleen Paulson, head librarian for the Mayville Heights Free Public Library, is sadly accustomed to encountering dead bodies. The bright yellow, catnip-filled, Fred-the-Funky-Chicken versions that her cat Owen likes to decapitate are a nuisance, but the human ones who've departed the earth as a result of violence are infinitely more disturbing. This time the deceased is a relative of her youngest employee, which hits too close to home for Kathleen, so she and her preternaturally clever cats start sleuthing to help Marcus close the case faster and bring the killer to justice. Thank goodness for Owen's superpower saving the day once more!

I really enjoyed how Sofie Kelly carefully wove together the seemingly separate storylines about the Janes brothers' estrangement and the future library exhibit of 20-year-old photos and mail found inside a post office wall. Some of my guesses turned out to be accurate, and yet I didn't put all the pieces together until the end.

Perhaps my favorite aspect of this volume in the series, however, was that Marcus and Kathleen's relationship was secure enough to withstand the potential love triangle Kelly hinted at in book #8 and developed in this one. What I don't understand is what is taking the two of them so long to get engaged & married!

For readers' advisors: story doorway is primary, character secondary. No sex or onscreen violence. Except for a smattering of mild swear words (mostly "damn" or "damned"), it would count as a "clean read." The series is best read in order, but you wouldn't have to read the first 8 books in order to understand what was going on in this one.

My advance reader's copy came with the novella "A Cat Burglar" at the end, but I don't know whether the published version will or not.

Many thanks to NetGalley and the publisher for allowing me to read an ARC in exchange for my honest review.

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