A Fellowship of Bakers & Magic

A Fellowship of Bakers & Magic by J. Penner
My rating: 5 of 5 stars

4.5 stars rounded up.

The Great British Baking Show set in a world with dwarves, elves, and orcs as well as humans! As a human, Arleta Starstone has a distinct disadvantage in the world of baking: no magic. Her natural talents, stubborn nature, amazing herb garden, and a whole lot of hard work have turned her into a world-class baker nonetheless, but anti-human prejudice is a steep hurdle to overcome. Arleta's honorary dads (the orc couple next door) are her biggest fans and secretly enter her into a big-deal bake-off, and when a handsome elf arrives to escort her to the competition, she battles her fears and insecurities to take her place among the realm's elite bakers--the first human to do so.

For readers' advisors: character doorway is primary, setting secondary, with story and language also strong. I can't recall any violence, swearing, or sex scenes, but I read it a few months ago and may have just forgotten something minor. Warning: it'll make you hungry!

Many thanks to Netgalley & the publishers for providing the free eBook copy I devoured.

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The Perils of Lady Catherine de Bourgh

The Perils of Lady Catherine de Bourgh by Claudia Gray
My rating: 4 of 5 stars

I love this series--a chance to revisit my favorite Jane Austen characters and their offspring? Yes, please! In this installment, the infamous Lady Catherine de Bourgh has suffered the indignity of someone trying to kill her not once, not twice, but three times. The impertinence! To stop the incompetent villain from succeeding, she summons her great-nephew, Jonathan Darcy, and his investigative partner, Juliet Tilney, to Rosings Park to uncover the would-be killer. Juliet and Jonathan are delighted to be reunited, and after some unfortunate misunderstandings, soon rekindle both their friendship and their budding romance as the investigation proceeds, much to their respective overprotective fathers' chagrin.

Many twists and turns keep readers (and the young sleuths) guessing until the very end. I am grateful to be able to add this book to my list of mysteries without murder.

For readers' advisors: story and character doorways are very strong, and language and setting should appeal to readers who love Jane Austen and the Regency era. No profanity that I can recall, no sexual content, and the only violence is both off-screen and unsuccessful. Jonathan Darcy's autism is realistically and gently depicted for the era, as is another character's epilepsy (trying to avoid spoilers here). The pace clips right along but doesn't race.

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A Lady's Guide to Etiquette and Murder

A Lady's Guide to Etiquette and Murder by Dianne Freeman
My rating: 4 of 5 stars

Frances Wynn, now the “elder” Countess of Harleigh after her husband’s untimely death, has been controlled by others her whole life, so she seizes the opportunity afforded her by widowhood and moves to London on her own as soon as her year of mourning has ended, with just her young daughter and a few servants to accompany her. Her freedom is immediately curtailed by the news that her brother-in-law has placed a freeze on her bank account in his attempt to get control of her money “for the family,” because Frances was an American heiress who married an earl in need of funds, and that need did not vanish with his death. Luckily, the news came just after she received a sizable bank draft from her mother, who sent her younger sister and aunt to visit her for the Season. The money is enough to allow her to maintain her household while fighting the new earl in court. But Frances soon has other concerns, as there is a thief on the loose in Town, an anonymous letter sent to the police has accused her of murdering her husband, and one of her sister’s new suitors might not be what he seems.

Fun and fast-paced mystery set almost a generation before the start of Downton Abbey, so Countess Harleigh would have been a contemporary of Lady Grantham back when Lady Mary was a little girl.

I loved this mystery with its hint of romance to come and enough complications that I only solved half of it before the end.

For readers’ advisors: story doorway is primary, setting secondary. Only a couple of mild swear words. No sexual content, though sex is referenced in that the main character’s husband dies in the bed of another woman at the start of the book. Violence is mostly off-screen and not described in detail at all, though Frances does have a couple of attempts on her life by the end, including being threatened with a gun.

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Romantic Comedy

Romantic Comedy by Curtis Sittenfeld
My rating: 4 of 5 stars

In April of 2018, Sally Milz is a writer for a live sketch comedy television show in New York City.  One week that month, Noah Brewster is both the guest host and musician.  They meet and hit it off when Noah comes to Sally for assistance in writing a sketch, though Sally doesn't believe a superstar could possibly be romantically interested in a regular, non-gorgeous, non-famous woman, so after an intense week of rehearsals and the live performance, she panics and says something hurtful to him during a conversation at the after-party.  Regret and pain follow, but life returns to normal...until the global pandemic shuts the world down in March of 2020, and by the time summer rolls around, Noah is bored and lonely enough to try reaching out to Sally via email.  That medium allows the pair time and space to be vulnerable and honest, rebuilding and strengthening what both had believed to be irretrievably lost.  But can their renewed relationship survive the reality of in-person contact? 

I loved the behind-the-scenes look at the inner workings of TNO (The Night Owls--i.e. the thinly veiled SNL), and it was completely believable to me that Sally would be confident in her professional abilities as a comedy writer, yet insecure in her personal life. This story had two things working in her favor, though: first, Sally & Noah met in a place where she felt confident, which is an attractive quality to most men, and second, Noah was old enough and had been through enough therapy to be tired of shallow connections. The story wouldn't have worked with younger characters, I don't think.

Actually, I'll add a third: COVID lockdowns. For those of us who lived through the pandemic (which is everyone reading this), we experienced the duality of this chaotic era that both caused massive upheaval but also gifted us with time to reevaluate our lives. And the latter is what allowed Noah to slow down enough to forgive Sally's verbal sabotage of their budding relationship and to reach out and reconnect.

While I couldn't always decide whether I wanted to hug Sally and give her a pep talk or shake her for making so many unhelpful assumptions about what Noah was thinking or feeling, I could definitely relate to her and rooted for the relationship to flourish.

For readers' advisors: character and setting doorways are both strong. Plenty of swearing, sexual references, references to bodily functions, mention of past alcohol abuse and recovery, and some cracked-open-door sex scenes. No violence.

My thanks to Bookbrowse for the free copy in exchange for participating in their online book discussion.

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Remember Love

Remember Love by Mary Balogh
My rating: 3 of 5 stars

Gwen Rhys and Devlin Ware grew up as neighbors, each secretly infatuated with the other until they realize their mutual attraction the day of the annual summer fete and become engaged.  But that same night, the pair discover Devlin's father with his mistress, and Devlin's strong sense of justice and love for his mother lead him to confront his father in public.  Devlin is banished, joins the army to fight Napoleon, and doesn't return for six years, two years after he inherited his father's title. 

I liked this story, but I didn’t love it. Mostly, I think, because we don’t witness Gwen & Devlin falling in love. They never really get to know each other, just go from childhood crushes they believe to be love to insta-love after being reunited 6 years later. They respect each other, which is a good start, but they don’t actually know enough about each other to be in love.

I also really hated that Devlin had sex with SOOOO many women during the war. Historically accurate? Probably. But really, what are the odds he didn’t come home with multiple sexually transmitted diseases, which he would then have passed on to Gwen?! Ruined all romance for the rest of the book, especially the one sex scene, which I just had to quickly skim because all I could think about was how he was almost certainly giving her syphilis. *shudder*

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The Wishing Bridge

The Wishing Bridge by Viola Shipman
My rating: 1 of 5 stars

Henri Wegner grew up a beloved child in Frankenmuth, Michigan, helped her father plan and execute his dream of opening the world's largest Christmas store, and then moved to Detroit to live her own dream of going to business school. She couldn't wait to leave behind small-town life and her childhood sweetheart. Fast forward a few decades, and the company she has worked for since graduating is now run by the son who inherited when his father died, and the son's a 2-dimensional stereotype of a greedy corporate shark. To save her job, she impulsively promises to convince her father to sell his now-famous, beloved store to a soulless company that will destroy it for profit. All she has to do is go home in December for the first time in years and betray her family to save a job she hates and doesn't really need or have strong ties to anymore.

*sighhhhhh* I wanted to like this book. It's a Hallmark Christmas movie in book form. Sadly, it is NOT one of the good Hallmark movies. There is no real conflict in this book, just a couple hundred pages of a grown woman agonizing over the world's most obvious choice.

This story is an identity crisis, and not in the way it intends (see above about the faux dilemma). Henri is introduced as being 52 years old, but the math on that doesn't work out, since based on the timeline of all the flashbacks, she had to be born in 1967, and the main part of the story has to take place now (2023) or thereabouts because of how the author refers to the COVID pandemic's effect on businesses in town. So Henri is actually 56. A 56-year-old woman with the angst and immaturity of a 26-year-old.

And that's, I think, really the problem. I LOVE finding stories centered on middle-aged characters, but this one doesn't feel authentic in the slightest. We are supposed to believe that Henri has lived and worked in the same place for *decades* and yet seems to have zero community? Her assistant is the closest thing she has to a friend in the city. There is no mention of anything that would in any way tie her to her current life--no friends or neighbors or former coworkers she keeps in contact with, no favorite restaurants or theatres, no faith community, no personality of any sort in her fancy, cold, uber-modern condo, and her work life is unbearably toxic. Apparently Henri has had the world's most routine, robotic life for the past 34 years, and we're supposed to believe this is in some way hard to give up to come home to a place she says she loves and feels loved, to take over management of a business she helped get started and still feels nostalgic for?

If Henri *had* been 26, I could buy that she was a workaholic driven by ambition and focused on her career to the exclusion of all else. I could believe that she was facing a quarter-life crisis and grappling with the realization that her life was going in the wrong direction. Actually, I could believe that of a 56-year-old if the circumstances of her life were different--multi-dimensional instead of a negative caricature of "Big City Life." It feels as though Henri was intended to be 26, but the author wanted to include all the nostalgia of life in the 1970s & 80s, which she couldn't do without making Henri a generation older. And it just doesn't work.

I did appreciate the nostalgic bits--I am old enough to have grown up with the excitement of those huge Wish Books at Christmastime that came from Sears and Montgomery Ward. However, I'm also old enough to know that NO ONE in 1975 was excited to get Star Wars figurines for Christmas, as is asserted in the opening of the book, because Star Wars didn't come out until 1977. That was just the first of several anachronisms.

One other thing really bugged me: toward the end, when Henri's boss & rival showed up at her family's store "unexpectedly" (it was telegraphed so hard...), Ms. Shipman describes the two of them sitting on the giant Santa throne in an "unchristian" way. I'm assuming she meant something akin to "lewd" or "x-rated," so the term raised my hackles. And then I snort-laughed at the implication that Christians don't have sex. Sure would be a lot fewer if that were true!

As with all Hallmark Christmas movies, there was supposed to be a romantic theme. Again, it would have worked quite well if the main characters had been 26 instead of 56. Or if they had spent more time getting to know the people they've grown into over the past 35 or so years since Henri broke Shep's heart, and IF the people they have become were actually a good fit. But that was pretty much glossed over, aside from Shep's newfound maturity a la post-divorce therapy. Nothing at all with the realities of single-sided step-parenting (which I can promise you is tricky!). I honestly think the most real character was Shep's ex-wife Hannah, who had done some major self-reflection and personal growth that Henri and her childhood BFF had not. Well, Sophie might have done a bit. All that is to say, the romance aspect of the book, which is usually my favorite part of a Hallmark Christmas movie, was both incidental to the main story and disappointingly paper thin.

For readers' advisors: I'm going with setting doorway as primary, for the descriptions of Frankenmuth and all its snowy businesses. There was no sex or violence, only a little swearing and a fair amount of drinking. Don't suggest this book to anyone who cares about complex, well-developed characters or a compelling plot, but it will probably appeal to readers who don't care about those things and just want to inhabit a Bavarian Christmas fantasy-land for a while. In that, it succeeds!

Nevertheless, I am very grateful to NetGalley and the publisher for the free eBook ARC in exchange for my honest opinion.

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Mickey7

Mickey7 by Edward Ashton
My rating: 3 of 5 stars

When I finished the book last night, I rounded 3.5 up to 4 stars, but now that the end-of-book-high has worn off, the problem I have with the characterization of Eight has become increasingly irritating to the point where I'm downgrading my rating. Now I'm at 2.5 rounding to 3. For the moment. Might go down to 2.

The premise of the book is centered around the concept that on a colonization mission to a new planet, one crew member is "Expendable," and after each death, he (Mickey) is bioprinted into a new body and comes out of the tank with the exact memories and personality of the original Mickey and all subsequent iterations as of the most recent upload data. So WHY does Eight come out of the tank acting like a jerk? For this premise to hold water, 7 and 8 should have been almost the same person, minus the most recent six weeks, and based on the personality of 7, nearly all the challenges of the story could have been either overcome or improved if 7 and 8 had simply talked to each other. Kept each other informed of what was going on, who said what to whom, etc. Heck, even keeping an open comm link might have helped! Then the story could have focused on the two of them working *together* to figure out what was up with the creepers rather than taking forever to figure out what the reader grasped immediately. I get that hunger makes people irrational and grumpy, but still. I find myself wanting to rewrite the story with the characterization problem solved to see how that could play out and what opportunities that might present with both Cat and Nasha.

For that matter, there were LOTS of characters who could have benefited from being 3-dimensional instead of archetypes. Berto, for one. Marshall, for another. Cat, Nasha, the prime creeper who never even gets a name.... Maybe later books in the series will flesh out the characters?

For readers' advisors: story doorway is primary, setting (outer space on an ice planet about a thousand years in the future) doorway is secondary. Some occasional swearing. Some death, but even the descriptions of the various ways Mickey has died are not especially graphic. References to sex, but it's of the fade-to-black variety.

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The Murder of Mr. Wickham

The Murder of Mr. Wickham by Claudia Gray
My rating: 4 of 5 stars

Hooray for an absolutely delightful historical mystery where the characters are all from Jane Austen's novels (or the children thereof), gathered at the Knightleys' estate for a house party crashed by the infamous Mr. Wickham of Pride & Prejudice fame! The second night he is there, young Juliet Tilney stumbles over his body on her way back from the privvy. He has caused most of the guests personal and financial losses, so absolutely no one mourns his death, but magistrate Frank Churchill still has to determine who killed him and why. Since Jonathan Darcy, eldest son of Elizabeth & Fitzwilliam Darcy, and Juliet are not under suspicion, they begin investigating, lest an innocent servant be falsely accused. Since seemingly no one was abed that fateful night, there are plenty of twists and turns in what is essentially a locked-room mystery. Everyone has secrets and is in need of courage and honesty if they are to heal their cracked relationships.

Claudia Gray has done an outstanding job of remaining true to Austen's characters even as she ages them forward in time according to the loose chronology of when the books were published. Jonathan's neurodivergence at a time before such traits were understood is sympathetically handled, making his growing relationship with Juliet both believable and endearing. Likewise, Fanny's conflict with Edmund over her brother's confession of love for his fellow sailor rings true for the era and indicates a possible path toward compassion and kindness for those today who still cling to the belief that homosexuality is a sin and not simply the way someone was born to be.

For readers' advisors: story and character doorways are primary, setting secondary. No on-screen violence, no sex, and I cannot recall any profanity, though there may have been one or two mild historical epithets uttered in the heat of the moment. I forgot to check before my copy returned itself.

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Under Lock & Skeleton Key

Under Lock & Skeleton Key: A Secret Staircase Mystery by Gigi Pandian
My rating: 4 of 5 stars

Tempest Raj loves being a magician. She comes from a long line of Indian magicians, and she never believed in the family curse, but her recent spate of misfortunes has her wondering whether there might be some truth to the legend. She's back home in the Bay Area after her assistant sabotaged their Las Vegas show, nearly killing Tempest in an attempt to discredit her and steal her show.

Since she's home, her dad has requested her assistance looking over the blueprints for the current project his company, Secret Staircase Construction, is working on, because something about them just doesn't quite add up, and Tempest is an expert in the art of building elaborate illusions. Unfortunately, not long after Tempest arrives on site, the bagged body of her backstabbing body double falls out of a wall that's been sealed for decades. How is that even possible, and was Cassidy the target, or was the killer aiming for Tempest?

As you might expect with a book about magicians, misdirection abounds. Tempest and her friends investigate, uncovering means, motives, and opportunities that conflict and overlap. One thing I most appreciated about the story was that there was never any question of Tempest being charged with the crime, unlike so many mysteries featuring amateur sleuths. She simply needed to know what was really going on, and how, and why.

My absolute most favorite things about this book were the hidden rooms and secret entrances, the magical nooks and crannies, sliding bookcases, tricks, and illusions. I want to live in her house or maybe in the treehouse with her grandparents!! I want to eat her grandfather's delicious cooking even though I am a wimp and cannot handle spicy Indian food, though maybe the Indian/Scottish blended recipes he's invented might be less fiery?

One issue I had was that I doubt so many people would have believed Tempest would ever have tried those dangerous tricks that destroyed her show. For one thing, her work ethic would have been obvious to everyone in her crew, so I had a hard time believing that anyone who knew her could have been convinced she was at fault. Along those lines, though Tempest feels like she belongs everywhere and nowhere as a result of her multicultural heritage, she's not antisocial or a jerk, so it was hard to see why she didn't seem to have any true friends aside from Sanjay, Ivy, & Gideon. Las Vegas must have been a painfully lonely place for her.

This series opener did nicely set up future plotlines or subplots regarding uncovering her mother's disappearance and who was behind it. Probably the answer will also tie directly to solving her aunt's murder. I'm also looking forward to seeing how this burgeoning love triangle plays out, and learning more about the backstory behind her estrangement from Ivy.

For readers' advisors: story doorway is primary, setting is secondary. No sex or onscreen violence. Only a couple of swear words. Plenty of real-world magic and illusions, nothing supernatural.

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Someone to Cherish

Someone to Cherish by Mary Balogh
My rating: 3 of 5 stars

Harry Westcott has done a lot of healing, both physically and emotionally, the past four years since he's been back in his childhood home, alone except for the army of servants. He is content with his life and has regained his happiness. But on the cusp of turning thirty, suddenly his contentment is threaded with a bit of restlessness. Maybe he does need more in his life?

Lydia Tavernor has lived alone in her tiny cottage opposite the gateway to Hinsford Manor for more than a year, since she bought it and moved in after her husband drowned saving a young boy from the village. Her husband had been a beloved vicar, ardent in his faith and dedicated to his parishioners. What no one knows is that he was a benevolent despot as a husband, dictating every aspect of her life, eschewing both physical contact and humor. After grieving the loss of her husband for the full length of her mourning period, Lydia is learning to find herself--her true self--again, a person she lost track of in the 20 years since her mother died when she was eight and her father and brothers wrapped her in metaphorical cotton wool to protect her from the Big Bad World. Now that she's had a taste of freedom, she never again wants to hand it over to a man. Still, living alone can be lonely. She just doesn't realize what a can of worms she will open by asking her handsome neighbor if he ever gets lonely, too.

The outcome is never in doubt--I mean, it IS a romance novel--but the journey these two take to get there is interesting. They have been acquaintances for about 4 years by the time the book begins, and yet Harry has never truly noticed Lydia, ever, even while chatting politely with her at social events. She, on the other hand, has built up a fantasy version of him based solely on seeing him interact with their neighbors, and he has become literally the man of her dreams.

My favorite parts of the novel were when they were engaged in quiet conversation about things they'd never told another soul. The reason I am rating the book--and I wrestled with this--three stars instead of four is because I think there needed to be an additional scene or two where they maybe had a moment or two to converse privately while in public view (or even not in public?) and do a better job of building the foundation for a relationship. To me it felt like Balogh was skirting too close to the "insta-love" trope by having them fall in love on the basis of so little.

The second reason for my lower-than-usual-rating for a book in this series is that I really think Lydia capitulated far too quickly. She is initially so strong and determined, I think it would have made far more sense for her to resist marriage until she got a closer view of the relationships between spouses in the Westcott family. She needed to see in action that husbands don't necessarily dominate their wives and dictate all their choices. She needed time to begin building relationships with Harry's sisters, cousins, and mother. There really was no "Aha!" moment of growth where her change of heart would make sense.

Also, I wished the characters of Jeremy and Mrs. Piper had been fleshed out more. They were rather two-dimensional.

Otherwise, though, I loved the book!

For readers' advisors: character edges out story doorway as primary, setting (Regency England) is secondary, though I realize my complaints about the book are about deficiencies in characters. There are some makeout scenes and a couple of sex scenes. The occasional mild swear word appeared. One scene depicts a solid punch being thrown.

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Someone to Romance

Someone to Romance by Mary Balogh
My rating: 4 of 5 stars

Thirteen years ago, Gabriel Thorne fled England for Boston out of fear, falsely accused of rape and murder. Now he has returned to claim his title before he's officially declared dead and his odious cousin Manley is named the Earl of Lyndale in his place. It's been nearly seven years since his uncle, the previous Earl, died, and Gabriel had been happy to let everyone believe he was dead as well, until a letter arrived from the one person in England he still loved--his aunt's sister--informing him that the would-be heir was planning to evict her from her home, leaving her destitute. So he turned over his prosperous business to his trusted business partner and boarded a ship. But if Gabriel hopes to make things right, he's going to need help. And an aristocratic countess.

Lady Jessica Archer, sister of the Duke of Netherby, has a court of admirers, none of whom have ever tempted her--even the slightest bit--into matrimony. Suddenly, though, at the advanced age of twenty-five, she realizes she no longer wants life to pass her by, no longer wants to punish herself for surviving her family's Great Disaster unscathed, no longer wants to remain unmarried. On the road back to London, she concludes this will be the year she chooses a husband. She just never imagines it'll turn out to be the rich cit she first encounters in an inn when her arrival deprives him of the private dining room he'd already paid for. To win her hand, though, he must prove he sees her, not just her aristocratic persona.

I love these books so much. The characters suffer real, painful hardships, yet the overall atmosphere of the stories is that of being surrounded by warm, loving family. Well-intentioned matchmaking generally goes awry, but everything comes out right in the end.

This delightful series should be read in order, if only to help keep track of the dizzying array of names and titles in the extended Westcott family. The large family tree printed in the beginning of each book comes in very handy, and bookmarking it can be useful if it's been a while since a reader spent time with these characters.

For readers' advisors: character doorway dominates the first half of the book, and then story doorway comes to the fore. References to rape, murder, and attempted murder, but nothing at all depicted in any detail. A handful of mild swear words. Two sex scenes that are steamy but not terribly explicit (mostly description of the removal of the many articles of clothing). The setting is almost entirely London, England, in 1819.

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The Last Chance Library

The Last Chance Library by Freya Sampson
My rating: 3 of 5 stars

June Jones is 28 years old, lives alone, has no friends her own age, and hasn't gone anywhere or done anything since her mother lost her battle with cancer eight years ago. Painfully shy, June loves her job as a library assistant at the village library, where she is surrounded by the friendly whispers of the books on the shelves and the comfort of routines. The job itself is one she stumbled into ten years ago when her mother, one of the librarians on staff, became to ill to work, and the duo needed money to survive. But taking the job--and keeping it--meant foregoing her dream of college and becoming an author. Instead, June daydreams about the secret lives of the patrons and spends her free time reading the classics. Her mother's best friend, Linda, continues to prod June, hoping to convince her to wake up and live a little, but June is content to float through life wrapped in a cocoon of safe familiarity.

That cocoon evaporates the day the news comes out that the county council is considering closing six libraries, including Chalcot Library. June is devastated, and the regulars are up in arms. They form a protest group, FOCL (Friends of Chalcot Library, pronounced Fock All), to resist the closure, but as an employee, Jane is forbidden from participating in any way, including telling anyone why she isn't joining in. Tensions rise, and eventually June musters the courage to rebel by sending anonymous tips to FOCL regarding some underhanded backroom dealings she witnesses. She is encouraged to do this by her old school chum, Alex, the handsome attorney back in town to help with the family's Chinese food restaurant while his dad recovers from hip surgery.

Over time, June emerges from her self-imposed prison of grief and realizes how much she has missed. She also begins to realize just how much she doesn't know about the people she interacts with in the library every day, and how much more there is to their stories. Will it be too little, too late?

What I loved best about this book was that the author correctly identifies June as a library assistant and NOT a librarian. Becoming an actual librarian involves earning a bachelor's degree in any field AND a master's degree in library science. June hasn't been to college at all and therefore cannot be a librarian. Most people who work at libraries are assistants, and not librarians. Doesn't mean June isn't good at her job; it just means her training and experience is different.

I also loved getting to know the quirky characters, despite them each being well-known stereotypes: the homeless man, the brilliant child, the elderly curmudgeon, the outspoken voracious reader who hates all the books, the teenager seeking a quiet place to study, and the recent immigrant trying to make a go of it in her new home. I loved the way June's fantasies merged into Mrs. B's rants or queries from other patrons. I enjoyed watching June take steps into the world and cringed when she crumpled or was crushed by the Mean Girls. And I appreciated that the plot took a few zigs and zags to keep things a bit less predictable. Also June's impromptu scheme to kill two birds with one stone by redirecting Rocky away from the "hen do" and toward the FOCL rally cracked me up.

What I could have done without were the cliches--like her curly hair being pulled into a tight bun, her uber-lonely life with books as her only true friends, or the fact that despite working in a library for TEN YEARS, she seemed to have never read anything written in this century. I get that June's mom dressed her in random stuff from thrift shops, and she was a nerdy kid, but there is simply no way she was that isolated or clueless. Hurt by her best friend's betrayal, yes, but to the point of never ever making another friend? That just feels like the author is belittling the intelligence and social capabilities of readers, which sets my teeth on edge.

I haven't researched the state of British libraries, so I cannot speak to the likelihood of closures like this where over half the council seems oblivious to the obvious benefits to society of having a functional, funded library, or where greedy council members push a nefarious agenda, but it was reminiscent of both The Bookshop on the Corner by Jenny Colgan and The Library at the Edge of the World by Felicity Hayes-McCoy, so maybe it's a trend in the U.K. & Ireland?

Overall this book was a solid 3 stars out of 5 for me. I liked it, but it had serious flaws also. Many thanks to the publisher and to BookBrowse for the free ARC in exchange for my honest opinion!

For readers' advisors: character doorway is primary, setting (small village in England) is secondary. No sex or violence, but there is some occasional swearing, and grief related to cancer.

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The Bookshop on the Shore

The Bookshop on the Shore by Jenny Colgan
My rating: 4 of 5 stars

Single mother Zoe can barely make ends meet. She works hard at a daycare taking care of wealthy people's children but can't afford to send her own 4-year-old there. Her ex, Jaz, rarely helps out and is gone most of the time, trying to make it as a DJ. Her son, Hari, is mute, and no one can figure out why. The last straw comes when her landlord hikes the rent on her lousy, run-down apartment higher than she can afford. Relief comes in the form of a job offer from Scotland. Well, two, actually. Jaz has finally told his sister he has a son, and when Surinder discovers that Zoe loves to read, she connects Zoe with Nina, from The Bookshop on the Corner. Nina needs someone to run her book van while she's on maternity leave. That's job #1.

Job #2 is as a nanny on evenings and weekends for the 3 children of the local Laird, Ramsay. This job comes with room and board in the form of a tiny attic bedroom in a Scottish castle and toast. A lot of toast. The three children have gone through six nannies in the past few years, and they are not excited about a seventh. If Zoe weren't so broke and desperate, she'd be happy to leave, too, but Hari loves Scotland and latches immediately onto the youngest of the three kids, Patrick. Eventually, with no good options remaining, Zoe straightens her metaphorical spine and begins to make changes, discovering that the siblings and their neglectful father aren't so much feral as traumatized, and though the locals don't want to buy books until Nina returns and tells them what to choose, the tourists are delighted with all the Scottish and Loch Ness-related volumes Zoe can lay her hands on.

The second book in this series conveys a tone of palpable grief, struggle, and emotional heaviness that slowly begins to lift as the characters grow and learn from each other. There is a slow-burn romance between Zoe and Ramsay, but it's not the focus of the story. Much of the book deals with mental illnesses and the effects those illnesses have on the family members who love them. Though the story begins with a weighted-down feeling, it ends with hope and strong family bonds.

For readers' advisors: character and setting doorways. No violence or sexual content, though sex is implied or mentioned as having occurred in a couple of places. Some swearing is sprinkled throughout, plus a great deal in one scene with Ramsay's drunk and angry girlfriend. "Found family" is a strong theme.

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Kill the Farm Boy

Kill the Farm Boy by Delilah S. Dawson
My rating: 4 of 5 stars 

This is a fantasy novel that takes many of the usual tropes and turns them upside down: the Chosen One is not a innocent farm boy (saying who it *is* would be a spoiler); Fia, the warrior, hates the bikini chain mail she begins the story wearing; the Dark Lord isn't very dark; the rogue is both female and not very good at sneaking or questing; the witch isn't really wicked; the quest goes sideways constantly and for unusual reasons (both helpful and not); there are allusions to pop culture (Nardstromp's department store at the Goblin Market, artisan cheese and crackers), and so on. The authors were clearly having a great deal of fun writing the story, and it's very entertaining but not as riotously funny as I was expecting (which is not the authors' fault, just a fact of how other readers/reviewers had hyped the book). I am looking forward to the next books in the series, though!

For readers' advisors: story doorway is primary, character and setting are secondary. Characters have various skin tones/colors, although the fictional world of Pell and its surrounds doesn't map culturally to our own. There is some creative language throughout, especially from Argabella the bard, who likes to say words like "Shoutful," "Songful," and "Deadful." Argabella and Fia have a very sweet romance. There is quite a lot of violence, but it's not graphic--often more absurd than anything. A few main characters don't survive the quest.

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Record of a Spaceborn Few

Record of a Spaceborn Few by Becky Chambers
My rating: 4 of 5 stars

The third book in the series is once again set in the same universe but featuring different characters. Only one character, Tessa, connects to book #1–she is Ashby’s sister. The books are essentially stand-alone.

This volume focuses on the mostly humans who live in the Fleet: the generation ships which brought humans into contact with other species after Earth suffered too much environmental damage and had to be abandoned. Hundreds of years after leaving the Sol system, these giant ships are still home to many thousands of people, the ones who chose to live their lives in space rather than seek out other places and planets. The ships orbit a sun given to the Fleet by the Galactic Commons, who admitted humans for membership not all that long ago.

Record of a Spaceborn Few follows a handful of distinct characters as they live, work, and grow aboard one of these ships. We get to witness their personal struggles as we follow their different journeys and stages in life, all the while learning the culture of Exodan spacers. Becky Chambers is a brilliant world-builder.

It’s a completely character-driven story. To say the pace is leisurely is putting it mildly. The characters barely cross paths, yet by the end, I felt like I was ready to sign up for Eyas’ new workshop and live in a hex. An absolutely fascinating exploration of how human culture might evolve to thrive in space. I especially loved how the ships were designed to eliminate hunger and homelessness, caste, and the illusion of rank. Everyone contributes, and NOTHING is wasted.

For readers’ advisors: character doorway is primary, setting secondary. Intermittent swearing. No onscreen violence, although there are some deadly accidents. LGBTQIA people are normal and unremarkable, and nonbinary gender pronouns are routinely used for some characters—xe & xyr, which I wish we’d adopt in real life, as it’s WAY more clear than using plural pronouns.

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The Duke and I

The Duke and I by Julia Quinn
My rating: 4 of 5 stars

After binge-watching the first series of Bridgerton on Netflix, I pulled out my copy of The Duke and I to re-read and see how much had been altered. The book was even more delightful than I remembered! Far fewer sub-plots than on Netflix, and far more witty dialogue. In large part that is because in the book, Daphne is not quite as young as she is portrayed in the show--she's at the end of her second season, so somewhere around 20 instead of around 18--and she's more comfortable around men--too comfortable, is really the problem, as they see her as a pal instead of a potential wife. Even Nigel Berbrooke isn't as heinous in the book, just dim-witted, desperate, and convinced he loves Daphne. Lord Featherington is already dead, so there is no gambling debt sub-plot. There is no opera singer mistress for Anthony, no boxer best friend for Simon, no Queen, no pregnant Featherington guest/relative, and Lady Danbury is important but not Simon's mother's best friend. The characters are all white, as they would have been in those societal positions at the time and not as Shonda Rhimes revised history. (The color-conscious casting is the tv series is WONDERFUL.)

In short, the book focuses far more on the relationship between Daphne and Simon, as well as the warm relationship between the Bridgerton family members. Violet is a whole lot more cunning, capable, and confident in the book. Anthony has already allowed Daphne to turn down several marriage proposals. And the banter is a balm to my soul, a needed antidote to the violence and chaos in the news.

For readers' advisors: character doorway is primary, setting secondary. There is a little violence (Daphne punching Nigel in the hallway is hysterical more than violent), a few swear words, and several medium-spicy sex scenes. There is WAY more nudity in the tv series, so this seems tame by comparison.

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Interview with a Dead Editor

Interview with a Dead Editor by Shanna Swendson
My rating: 4 of 5 stars

Lexie has just been laid off from her job as a newspaper reporter when she gets a call asking her to interview for an assistant editor position at a small newspaper in a town she's never heard of. Unfortunately, when she arrives for her interview, she discovers the body of her prospective employer on the floor behind his desk. With a storm on the horizon, Lexie is anxious to get back on the road to Dallas, but first the local police must verify her alibi, which becomes far more difficult when her car's electrical system is inexplicably fried. Luckily, the job she was to interview for comes with a furnished apartment, so she's allowed to stay there until she can be cleared. With nothing better to do, she begins exploring the town, asking questions as she goes.

This book is set in February, but it feels like late fall. The town is straight out of a Hallmark movie--which is intentional and to which Ms. Swendson alludes in the opening scenes--making the book feel like a warm hug, despite the freezing weather and paranormal oddities. I love that all the female characters are strong and independent. No foolishness here! Lexie makes some smart moves to help save herself when the killer threatens her at the end. Plus the police officer is competent and intelligent. This makes the hint of future romance a lot more plausible.

The main characters are white, and supporting characters include an army vet who lost her lower legs in combat, a couple of ghosts, and a mixture of Latinx, African American, and white townsfolk, many of whom are descended from members of a traveling sideshow.

For readers' advisors: story and character doorways are pretty strong, and setting is also a factor for anyone who loves Hallmark movies. Or hates, I suppose. Minimal on-screen violence that mostly involves the killer briefly attacking Lexie. No sex or swearing. Some sub-plots & mini-mysteries are set up and left to be resolved in future installments of the series. Book #2 comes out in a few weeks, so readers won't have to wait long for the next chapter in Lexie's life.

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Romancing the Inventor

Romancing the Inventor by Gail Carriger
My rating: 4 of 5 stars

This one is for everyone who loved the character of Genevieve Lefoux in the Parasol Protectorate (or Vieve in the Finishing School series) and wanted to see her find love.

A character-driven novella wherein Imogene Hale takes a job as a parlourmaid for Countess Nadasdy's vampire hive in an effort to help feed her mother and siblings whilst simultaneously avoiding matrimony. Imogene never imagined she'd meet the love of her life: the eccentric inventor busily creating things in the hive's potting shed. The course of true love never did run smooth, though, and this love must navigate hurdles both external and internal--from a vindictive footman and vicious vampires to Genevieve's disastrous relationship history.

For readers' advisors: character doorway is primary, setting secondary. Plenty of sexual tension, but only a couple of not-explicit lesbian sex scenes. Some physical abuse from the footman and vampire queen. Alexia and the Woolsey pack make several delightful appearances, and the wicker chicken has a cameo. A couple of mild historical swear words. It's best to have read at least the Parasol Protectorate series first to understand the nuances of the setting and characters.

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Father of Lions: the remarkable true story of the Mosul Zoo rescue

Father of Lions: The Remarkable True Story of the Mosul Zoo Rescue by Louise Callaghan
My rating: 4 of 5 stars

Father of Lions is a fascinating glimpse into life in Mosul before, during, and after ISIS (Daesh) control. Until the last quarter of the book or so, it focused far less on the zoo and the few animals struggling to survive than it did on the humans, however. I hadn't expected this, so it seemed almost like reading a civilian survival story and its animal-rescue-themed sequel. Louise Callaghan has done an amazing job of evoking the tense, dusty, waiting and mortar-driven hiding inherent in an urban battlefield. Her pacing intensifies throughout, although sometimes the timeline gets a bit confusing with seasons apparently passing during the span of days, and at times she dwells a bit too much on the pre-ISIS backstory of the participants. For a Western reader many thousands of miles from the fighting, however, Callaghan's portrayal brings the conflict down to a comprehensible human (and feline/ursine) level. It should appeal to anyone interested in either animal welfare or the fight against ISIS.

My thanks to Bookbrowse.com for the ARC they provided in exchange for my honest review.

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A Witch to Remember

A Witch to Remember by Heather Blake
My rating: 3 of 5 stars

Darcy Merriweather is Stressed Out. Not about her wedding coming up in a couple of weeks. No, she's a bundle of nerves over her younger sister's birthday and what it means for the Elder's renewal ceremony. Her family's nemesis, Dorothy, has become increasingly, dangerously unstable in recent months, and Darcy fears for their safety, especially after the Divinitea Cottage is torched, and it initially appears as though Dorothy set the fire after murdering one of the owners. Darcy teams up with her fiancé Nick Sawyer, the police chief, and Dorothy's daughter Glinda, a private investigator, to solve the crime.

This is a cozy mystery series that REALLY must be read in order. Secrets are revealed in each book in the series that would totally be spoilers for the earlier books. In this particular volume, however, Darcy's Big Secret was ridiculously easy to guess, so her angst and fears then seemed overblown.

Surprisingly, I also figured out who the killer was quite a while before Darcy did. I didn't have a clue what the motive might be, but I deduced who and how. I can't remember the last time I correctly guessed the murderer's identity well in advance of the sleuth's reveal. I have to say, I really prefer to be more in the dark!

Given the ending of the book and the divulging of a smaller secret in the final chapter, perhaps this might be the end of the series? I would hate to leave these lovely characters behind, yet this wasn't my favorite installment, so perhaps Ms. Blake is ready to focus on her Magic Potion series instead?

For readers' advisors: story and setting doorways are primary. The strongest language used is a few instances of "hell" and "damn." There is no sexual content, just some quick kisses. The only onscreen violence is Dorothy attacking other witches with (dark) magic/fire. It's a fun, easy read for anyone who's already read books #1-8, but don't expect much in the way of character development.

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