A Lady's Guide to Etiquette and Murder

A Lady's Guide to Etiquette and Murder by Dianne Freeman
My rating: 4 of 5 stars

Frances Wynn, now the “elder” Countess of Harleigh after her husband’s untimely death, has been controlled by others her whole life, so she seizes the opportunity afforded her by widowhood and moves to London on her own as soon as her year of mourning has ended, with just her young daughter and a few servants to accompany her. Her freedom is immediately curtailed by the news that her brother-in-law has placed a freeze on her bank account in his attempt to get control of her money “for the family,” because Frances was an American heiress who married an earl in need of funds, and that need did not vanish with his death. Luckily, the news came just after she received a sizable bank draft from her mother, who sent her younger sister and aunt to visit her for the Season. The money is enough to allow her to maintain her household while fighting the new earl in court. But Frances soon has other concerns, as there is a thief on the loose in Town, an anonymous letter sent to the police has accused her of murdering her husband, and one of her sister’s new suitors might not be what he seems.

Fun and fast-paced mystery set almost a generation before the start of Downton Abbey, so Countess Harleigh would have been a contemporary of Lady Grantham back when Lady Mary was a little girl.

I loved this mystery with its hint of romance to come and enough complications that I only solved half of it before the end.

For readers’ advisors: story doorway is primary, setting secondary. Only a couple of mild swear words. No sexual content, though sex is referenced in that the main character’s husband dies in the bed of another woman at the start of the book. Violence is mostly off-screen and not described in detail at all, though Frances does have a couple of attempts on her life by the end, including being threatened with a gun.

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Cassandra in Reverse

Cassandra in Reverse by Holly Smale
My rating: 5 of 5 stars

What would you do if you discovered you could go back in time (though no further than a certain date)? Would you use it to win the lottery? Prevent accidents? Or try and keep from getting fired from your job and dumped by your boyfriend on the same day? Cassandra Penelope Dankworth chooses the latter option. It is, however, exhausting, and perhaps not what the universe had in mind.

I absolutely LOVED this book. Cassandra was such a wonderful, heartbreaking character. I would say I wanted to scoop her up and hug her and tell her there was absolutely NOTHING wrong with her, except, of course, she would hate that.

I did have a really hard time believing she had gone 31 years without realizing she was autistic, as that was blindingly obvious from almost the first moments of the book, but then I read that the author wasn’t diagnosed until she was 39, so I guess that’s sadly more plausible than I’d realized. I also read that the author herself processes emotions as colors, which explains the phenomenally beautiful way they are described throughout the book.

For readers’ advisors: character and language doorways are strongest. A fair amount of occasional swearing. References to sex and a time loop sex scene (as Cassie tries to “fix” things) which is not described in detail. No physical violence aside from the anti-fur protesters who yell and throw fake blood on Cassandra when she accidentally stumbles into their midst.

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Small Move, Big Change: Using Microresolutions to Transform Your Life Permanently

Small Move, Big Change: Using Microresolutions to Transform Your Life Permanently by Caroline L. Arnold
My rating: 4 of 5 stars

While this book is a little repetitive, the concepts and concrete examples are fantastic. Arnold's main premise is that instead of getting totally overwhelmed trying to make sweeping changes in your life, the only way to truly alter your habits is to identify specific, measurable actions you can take--no more than two at a time--and focus on doing those relentlessly until they become automatic and no longer require any conscious effort, then move on to the next small shift, and so on. Sometimes this means altering your routine; sometimes this means altering your internal dialogue.

The hardest part for me is deciding where to start. So next up: finding a quiet hour to do some soul-searching to decide what is bothering me the most and what is a small change I could make that would have a positive impact and focus on continuing to do it, no matter what.

I borrowed the eAudiobook of this from my library, but I may need to buy my own copy to refer back to when I need a refresher.

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A Man Called Ove

A Man Called Ove by Fredrik Backman
My rating: 5 of 5 stars

Ove is a man who just wants to kill himself in peace. Is that too much to ask?? Apparently it is, as his efforts are thwarted time and again by new neighbors who can’t back up a trailer, use ladders safely, drive, or read proper signs; a mangy, half-dead cat; a lifelong frenemy being forced out of his home against his will; a man who collapses into the path of oncoming train; and young men who need help fixing a bicycle to impress a girl, or get kicked out for Coming Out. Each time, Ove has to apologize to his wife for not joining her yet, until finally he finds himself firmly enmeshed in the lives of the living.

Like Parvaneh, I grew to love Ove fiercely. He is now one of my all-time favorite characters, and my commutes are not going to be the same without him.

However, I am so glad I listened to the last few chapters of this book at home because amidst the laughter, I cried the Ugly Cry of Uncontrollable Sobs—something I would not want to do while driving, which is how I normally listen to audiobooks.

I’m also glad I listened to the audiobook instead of reading the ebook, because I never would have guessed Ove’s name was pronounced “OO-vuh.” Plus the narrator did an outstanding job with the pacing and the conveyance of Ove’s taciturn grumbles. Ove reminds me of Clint Eastwood in Gran Torino, although with entirely different prejudices (i.e. against French cars, bus drivers, men in white shirts, etc). Ove is only 59, but it’s like he was born an old man...or at least became one as a boy when first his mother and then his father died.

For readers’ advisors: STRONG character doorway and very leisurely pace. It takes most of the book to learn Ove’s history, which is told much of the time in alternating chapters. (The book has a non-linear structure.) No sex, but a smattering of grumpy-old-man swearing. One gay character toward the end, and a mix of at least 3 languages/cultures, not counting the Spanish of Ove & Sonja’s vacation to Spain.

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A Lot Like Christmas

A Lot Like Christmas by Connie Willis
My rating: 4 of 5 stars

This collection of a dozen (really long) novellas, each completely unique, is tied together solely by virtue of the Christmas theme/setting and more than a touch of magical realism.

It was almost a 5-star collection for me, but a few of the stories had issues/plot holes that bugged me enough to drop the rating. The biggest one was in "Inn," which told the story of the Holy Family being turned away from shelter in a blizzard by a church in the middle of rehearsing the Christmas pageant. The story would have been fantastic had it not relied on the faulty premise that locked doors (in a church building) keep people from both getting in and out. I yelled at my car stereo so frequently while listening to this one, it's a good thing it wasn't the last story in the collection, or it would have tanked my rating completely.

For readers' advisors: story doorway is primary, character and setting vie for secondary, depending on the story. It's a mix of genres, from realistic fiction to sci-fi to fantasy to mystery, although everything has some level of magical realism. At least one story has some swearing, several have a touch of romance, and none have any graphic violence or sexual content.

I think this might become a holiday tradition for me--just remembering to fast-forward through the "Inn."

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The Prime Minister's Secret Agent

The Prime Minister's Secret Agent by Susan Elia MacNeal
My rating: 3 of 5 stars

Maggie is back in Britain, struggling with PTSD and depression, which she calls "The Black Dog." She retreats to Scotland to train aspiring spies, her only friend a stray cat who adopts her. When her supervisor forces her to attend the ballet to which she's been invited by her former flatmate, Sarah, Maggie finds herself in the middle of a murder mystery with ties to secret military experiments, and she discovers that sleuthing keeps The Black Dog at bay.

Meanwhile, at the Tower of London prison, Clara Hess, awaits her execution, insisting she'll only tell her secrets to Maggie, who refuses to go see her. She begins displaying multiple distinct personalities, but is she acting, or are they real?

On the other side of the world, the Japanese are preparing to attack Pearl Harbor. Despite ample clues and warnings, the U.S. fails to put the pieces together in time. However, the horrific attack brings enormous relief to the beleaguered British as the Americans finally join the war.

For reader's advisors: character doorway is primary, story and setting secondary. Some swearing. Characters are definitely flawed, but they grow and develop over the course of the book.

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Spinning the Moon

Spinning the Moon by Karen White
My rating: 3 of 5 stars

4 stars for In the Shadow of the Moon, 2 stars for Whispers of Goodbye

In the Shadow of the Moon is a time travel novel with the feel of Outlander, although all the details were different. I thoroughly enjoyed the tale of Laura Truitt, a grieving mother thrown back in time to Civil War era Georgia, searching for her young daughter who went missing while Laura and her husband were viewing a dual astronomical event: comet plus lunar eclipse. Turns out there was a reason her home seemed strangely familiar the first time she laid eyes on it.... But unlike with Claire and Jamie, Laura takes forever to trust Robert with her story.

Whispers of Goodbye tells of Catherine, summoned by her sister's letter to post-war Louisiana, who discovers upon arrival that her sister has disappeared. She learns of the misery and scandals her self-centered sister has caused, and despite her own grief over losing her son and husband the previous year, falls in love with her niece and brother-in-law. Shortly after her sister's body is found, Catherine marries John, yet harbors doubts about his potential guilt and fears learning the truth.

The novel succeeded in evoking a very Gothic feel, but the pacing was excruciatingly slow, the characterizations wavered and didn't always ring true, and the only plot element I didn't guess WELL in advance was Rebecca's true parentage. 2 stars is probably too generous, but the setting/tone were well done, and the narrator did an excellent job under the circumstances.

For readers' advisors: setting doorway is primary. Some mild sexual content but nothing explicit.

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Pros and Cons

Pros and Cons by Janet Evanovich
My rating: 4 of 5 stars

FBI Special Agent Kate O'Hare has been hunting down the elusive con artist Nick Fox for three years. She's almost 87% sure she's located his latest scheme, and she is determined to catch him this time. Kate believes Nick is pretending to be Merrill Stubing, wedding planner for the King of Hostile Takeovers and his sexy fiancee. Question is, will she get permission to raid the wedding before Nick's crew makes off with the valuables? Or will Nick glide past her team yet again?

Turns out I'd already read this novella, but listening to it was just as fun and took less than an hour--perfect for commuting. Mostly it's a quick chase story that plays in the mind like an action movie (only with fewer bullets and no car crashes).

For readers' advisors: story doorway is primary. No sex or violence. Don't remember any swearing, although there might have been a stray "damn" somewhere or something similar. As suspense/action stories go, this one is light and humorous.

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Natural Born Charmer

Natural Born Charmer by Susan Elizabeth Phillips
My rating: 2 of 5 stars

Dean Robillard is a big-time football star for the fictional Chicago Stars--gorgeous, wealthy, and restlessly unhappy. He decides to drive across the country to the farm he's purchased outside Nashville to check up on his new housekeeper who only communicates with him via email, and along the way he picks up an angry woman in a beaver costume (minus the head). He drives her to confront her weasel of an ex and decides she would make an excellent distraction from his depression during his road trip so capitalizes on her newly broke status to convince her to travel with him.

Blue Bailey is a portrait artist who never stays in one place for long, especially not now that she has discovered her rotten ex doesn't need her help after all: he's found a new (teenage) muse and stolen the $200 she had hidden in her rental room. Her mother recently cleaned out Blue's bank accounts to pay the ransom for a group of girls in Colombia, leaving Blue with a total of $18 to her name, some ratty old clothes, and a car that's given up the ghost. Driving to Garrison, TN, in a fancy car with a handsome man pretending to be gay seems a better option than staying where she is, so she opts to ride. She never expected to grow roots.

I'm giving this one 2 stars because the main romance didn't work for me. I really enjoyed all the secondary characters, especially Nita and Riley. I found April and Jack's relationship plausible, if fraught with emotional scar tissue. However, Dean and Blue's romance...no. It COULD have been believable--the potential was there, and it started off well. Blue fascinated Dean because she didn't fall all over him like all other women. She was zany and unpredictable. She entertained and amused him just by being herself. If Ms. Phillips had kept going with that, had let her characters slowly grow on each other, gradually developing an attraction to one another instead of flipping the lust switch and turning Dean into a controlling jerk and Blue into a spineless ninny, this could have been an outstanding book.

Instead, it lacks internal consistency. Blue and Dean bicker constantly and enjoy doing so. They had difficult childhoods and have built emotional walls around themselves to protect against future heartbreak, so both have a whole lot of maturing to do before they are ready to trust and risk showing vulnerability, yet the arguing gives them a way to safely spend time getting to know each other. So far, so good.

However, Ms. Phillips chose to make Dean determined to have sex with Blue almost from the beginning, despite his open disdain for her appearance, fashion choices, and lifestyle. It was a power and control issue for him, which is decidedly UNsexy and should have been a complete turn-off to Blue, who was fully cognizant that his so-called interest was due to a lack of better options and a need to dominate. Had Ms. Phillips remained consistent with her original characterization of Blue, Blue would have continued to rebuff Dean's advances and called him on his B.S. until he finally grew to actually respect her and show some kindness for a change. Then and only then would the attraction have been plausible and based on a solid foundation.

But that's not what happened. I abandoned hope when I got to the scene where Dean is hurt and angry with his father and bursts into the caravan, waking Blue and demanding--not asking, but demanding--that she have sex with him. He's again a total jerk, she can tell he's upset, but she gives in instead of saying, "You're furious, so your solution is to RAPE ME?!" Had she done that, it would have brought him up short and perhaps triggered his brain to restart. Not how the scene played out, though, and I ended up howling in frustration in my car, wishing I weren't driving and could skip over the too-explicit and ridiculous sex scene that followed ('cause, you know, if she takes her own clothes off when ordered to, & is inexplicably turned on by being used, it doesn't count as rape??). It gets worse from there, although there is a small bit of redemption by the end when Dean FINALLY admits maybe he has some growing up to do. Note to Dean: if someone has lifelong abandonment issues, perhaps you shouldn't abandon her over and over and over again!!

The character development for everyone else is excellent. *sigh* Four stars for them, zero for Dean & Blue, for an average rating of 2 stars.

For readers' advisors: character doorway is primary. There is quite a bit of swearing and some semi-explicit sex scenes. Definitely not suitable for listening to with a toddler in the car. The narrator did an excellent job with the voices--only a couple of times did I get confused as to who was talking. She had totally different voices and accents for all the characters.

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I Must Say: My Life As a Humble Comedy Legend

I Must Say: My Life As a Humble Comedy Legend by Martin Short
My rating: 3 of 5 stars

Listening to Martin Short read his own memoir is definitely preferable to reading it oneself. The "interludes" where Marty, as his friends call him, performs some of his more famous characters can't possibly translate fully to mere print. Likewise, you would lose so much of the life and emotion he brings to the stories and anecdotes he shares if you couldn't hear his voice.

However, it's not suitable for listening to when there are small children present because he occasionally "works a little blue" (as he would say) and swears a fair amount in parts.

I found this audiobook to be a really interesting history of Short's life and career. Much of it took place when I was very young and not aware of who he was--my most vivid memories of his work are of his character "Frahnk" the wedding planner in the Father of the Bride movies, as well as a few more recent characters. Most of the "interlude" sections would probably resonate more with listeners a decade or two older than I am, or perhaps with younger ones who've binged-watched his performances on Netflix or YouTube. This is why I rated it as a solid 3 stars for myself (3 1/2 really), but I would expect many people would rate it 4 or 5 stars.

My favorite thing about this audiobook is how Martin's love for his family, especially his wife, shines through. He acknowledges what a wonderful, supportive upbringing he had, despite some early devastating losses, and the whole second half of the book or so (it's hard to estimate with an audiobook!) is basically an homage to his wife "Nan." Some of his stories about her brought me to tears.

It's also quite the Who's Who of '80s and '90s Hollywood--the nice thing about being such a warm, loving couple is that the Shorts formed long-lasting friendships with a great many people, sometimes spanning from the 1970s to today.

For readers' advisors: character doorway is definitely primary. This is a great one to suggest to fans of Martin Short in particular but also anyone looking for a humorous autobiography/memoir. It does contain swearing, sexual references (nothing explicit), and some drug use.

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The Silence of the Library

The Silence of the Library by Miranda James
My rating: 3 of 5 stars

Librarian Charlie Harris is assisting his friend and Athena Public Library director, Teresa Farmer, with putting on an event featuring authors of mysteries with "intrepid girl detectives" from the middle decades of the 20th century. They are thrilled to discover that one of Charlie's favorites from childhood, Electra Barnes Cartwright, centenarian author of the Veronica Thane series, is not only still alive but living nearby and willing to come speak during their program. Her most ardent fans immediately descend on the town when they hear the news, demanding to meet her. When the editor of the "EBC" fan newsletter is murdered, Charlie and his Maine coon cat, Diesel, begin investigating to help the sheriff's deputy figure out who killed her and why.

I guessed the murderer & motive long before anyone even died, but it was still a fun book to listen to. This is book #5 in the Cat in the Stacks series, but it could almost stand alone, since the interactions with ongoing characters were relatively minimal. The narrator doesn't differentiate a whole lot between voices/accents for most of the characters, yet I had no difficulty knowing who was speaking.

For readers' advisors: story and character doorways are primary. The violence is offscreen and barely mentioned, really. There is no sex or swearing. It's a light, cozy mystery.

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Over the Moon at the Big Lizard Diner

Over the Moon at the Big Lizard Diner by Lisa Wingate
My rating: 4 of 5 stars

For more than eight years, Lindsay Attwood has played it safe. After her ex-husband ditched her upon learning of the impending arrival of their daughter, Lindsay stopped traveling the world and instead took a job in the basement of a museum in Denver, converting her talents for archaeological discovery into those of restoration and cataloging. She wrapped her life around her daughter, Sydney, keeping new people at bay after learning the hard way that men can't be trusted. However, that approach led to fundamental loneliness and an emotional collapse the moment her ex suddenly decided he wanted to be a part of Sydney's life and took her to Mexico for the summer.

Lindsay's twin sister, Laura, and their friend Collie hatch a plan to drag Lindsay out of her despair: Laura invites Lindsay for a visit to Texas, and Collie begs for her help discovering who has stolen dinosaur tracks from a local ranch. Collie persuades Lindsay to go "undercover" at the ranch as a student in the horse psychology camp run by the owner's granddaughter, since it's possible the theft was an inside job. On the way to the ranch, Lindsay nearly runs over a giant dog chased by angry cowboys, and her defense of the dog leads to a temporary adoption--although which of them did the adopting is a matter of debate.

One of the cowboys turns out to be the veterinarian grandson of the same ranch owner whose dinosaur tracks had been stolen, and over the next few days, Zack and Lindsay fall in love while repairing windmills and chasing her escape-artist dog across fields to the Lover's Oak. Once the townsfolk hear they were seen kissing under the famous tree, curiosity is at a fever pitch, and the wedding a foregone conclusion. Unfortunately, Lindsay has Trust Issues with a capital "T" and no faith that it's possible to have a relationship with a USDA vet who lives thousands of miles away.

I'm not typically one to notice language unless it's unusually bad (especially grammar and typos) or unusually good. While listening to this audiobook, I noticed not only Johanna Parker's lovely voice, but also the lush, lyrical, evocative, and amusing descriptions and idioms Lisa Wingate used to tell the story. The beautiful words helped me cope with the main character's stubborn refusal to pay more attention to present actions than past hurts.

Seriously--Lindsay is in dire need of Alison Armstrong's workshops on understanding men & women! The horse psychology class was a big step in the right direction, yet it's fairly improbable that Lindsay so quickly went from being a failure to a star pupil, given her inability to fully translate the early skills into the human world. I think she needed a bigger "Aha!" moment first, like some of the other students seemed to have. That would have made it a 5-star book, in my opinion.

For readers' advisors: character and language doorways are primary, story and setting secondary. Some contortions to avoid actual swear words, which was sweet but unrealistic. No sex or violence.

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Yes, Please

Yes Please by Amy Poehler
My rating: 4 of 5 stars

The audiobook version is fantastic! Amy Poehler herself "reads" it, but it never feels like reading--more like she's just talking to you and telling stories. She also gets Carol Burnett, Kathleen Turner, and Patrick Stewart to read her chapter titles, Seth Meyers to read a chapter he's written (i.e. chat with Amy in the sound booth and read his chapter), Mike Schur(?) to chat with her about creating the TV show "Parks and Rec," and even her parents have small speaking moments. It's a very humorous book.

Fair warning, though: Amy has a potty mouth much of the time and apparently spent much of her twenties and part of her thirties stoned, so it's not suitable for tender ears. I could only listen to it when my toddler wasn't in the car.

I might have given it 5 stars if it weren't for the abundance of swearing and my disappointment in Amy for all the drug use and smoking. Everyone has their own journey to get to where they are today, and I wouldn't have wanted her to lie about her life, but for me it was heartbreaking to know that she had done so many stupid things in her younger years--a hero falling off a pedestal, I suppose. Such a waste--think of all the (much funnier) things she could have written and performed during those years if she hadn't been stoned! She's really proud of the Upright Citizens' Brigade (UCB) improv company she helped found and is still involved with, but some of the stories she tells about them are appalling--like pressuring their entire audience to smoke pot before they would start one particular performance. Dude, if you have to be stoned to enjoy it, it's probably not that good!

Still, if you're debating between reading and listening to this book, I'd recommend listening. Hands down, no question.

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Beyond the Sunrise

Beyond the Sunrise by Mary Balogh
My rating: 1 of 5 stars

I should really know better than to read/listen to a romance novel written before the mid-to-late 1990s at the VERY earliest (aside from Jane Austen's novels, of course).  Balogh is one of my favorite historical romance novelists, but this early work of hers is awful.   It's kind of interesting as a historical spy novel set in Portugal & Spain during the Napoleonic Wars, but as a romance it fails miserably.  The heroine does nothing but humiliate, emasculate, and lie to the hero, even when her mission no longer requires secrecy, and yet the reader is supposed to believe he would STILL fall in love with her?!  Um, no, that's not how that works.  Men respond to authenticity, not the contempt Joana demonstrates for all men as she manipulates, flirts with, and controls them like puppets on a string.

The book perpetuates the myth that if you have sex with a man who lusts after you, that means he'll automatically fall in love with you.  Um, no, also not how that works!  A man has to care about and respect a woman in order to fall in love with her.  Lust is just lust.

The story could have wrapped up in half the time if only Joana had told the truth as convincingly as she continued to tell lies; had explained why she wanted the French colonel to follow her; had been honest, genuine, and/or kind; and had enlisted Robert's help instead of deliberately making him think she was a French spy.   There were flashes of excellence in this novel, where you could glimpse the writer Balogh would become, but there were also plot holes and faulty premises enough to have me ranting at my car stereo for hours (see above about the unnecessary length of the book).

I strongly do not recommend this one.  The narrator does her best, but she can't make up for a terrible story.

For readers' advisors: setting doorway is primary.  Story is secondary, I guess.   There is some swearing and a lot of sex.  Seriously, no one could have energy for that much sex while trudging around the hills/mountains of Spain & Portugal in wartime with no shelter, no trust, no safety, & not much food.  No one.

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Four Nights With the Duke

Four Nights With the Duke by Eloisa James
My rating: 1 of 5 stars

Negative 500 stars, really.

I give up. I struggled to listen to 19 chapters' worth, but I simply can't take it any more. This book is AWFUL!! The narrator's breathy, sleazy voice exacerbates the Ick Factor so badly that I almost didn't make it past the first chapter. In retrospect, I kind of wish I had given up right away and not wasted my time listening to such a wretched travesty of storytelling.

Mia is secretly a popular author of ridiculous Gothic romance novels, but when she's jilted at the alter a month before the deadline her deceased brother imposed on her to marry in order to remain guardian of her nephew, her money doesn't help. She resorts to blackmailing the son of her father's lover into marrying her right away. Their parents caused scandal with their 20-year relationship and more scandal by dying together in a fire at an inn, and further association with the Carrington family is the last thing Vander wants, so he's pretty livid. Stupidly, he doesn't read the letter she leaves with him explaining the terms, which include dissolving the marriage as soon as Charlie's safety is assured. Instead, he burns that letter but does NOT burn the one she also leaves with him that proves his mentally ill father was also treasonous. (Yep, bafflingly moronic decision.)

I'm still not sure why she felt she had to resort to blackmail instead of just telling him the truth and asking for his help. If he'd understood her predicament and met Charlie at the beginning, not to mention the sociopathic uncle scheming to control Charlie's inheritance, perhaps he wouldn't have been as furious or nasty or a complete and total jerk to her. They could have worked together to thwart her uncle and uncover the truth of what happened to her father, brother, and fiance. THAT would have been a much more interesting story for Ms. James to tell. Not to mention actually romantic as they got to know each other and gradually fell in love.

Instead, Ms. James wrote a story in which an a$$hole lusts after his new wife but treats her like garbage and still expects her to be an enthusiastic bed partner. He's controlling and vicious--his only redeeming quality is that he's nice to Charlie. Mia is supposedly independent and brave, but other than her initial determination to follow through with the blackmail, she's a spineless ninny who completely believes she's ugly and has no worth. All scenes between them were excruciatingly painful to listen to and usually resulted in me rolling my eyes, gagging, howling, grinding my teeth, and/or shouting, "THAT'S NOT HOW THAT WORKS!!!"

Case in point: every time Vander was cruel to Mia and then grabbed her, manhandled her, forced kisses on her, or in any other manner sexually assaulted her, and she went from being devastated/furious/anguished/heartbroken to instantly turned on and responsive. WHAT?!?! It's like Ms. James wished to invalidate the trauma of thousands (millions, really) of rape victims by saying, "Oh, it's OK--I know you SAID you didn't want him to touch you, but once he did, you loved it."

I so wish I could prevent Eloisa James from writing another book until she took every single one of Alison Armstrong's PAX workshops. Every. Single. One. Perhaps repeatedly, until the lessons really sunk in.

So what kept me listening through 19 dreadful chapters? I wanted to know whether Mia's uncle had murdered, bought off, or abducted her fiance on the way to the church, and whether he'd set the fire that killed her father. I can't remember how her brother supposedly died, but it wouldn't surprised me if her uncle had killed him off, too. In fact, if anyone reading this review knows the answers to these questions, I'd be grateful if you'd tell me in the comments section below!

I did like the character of Vander's drunken uncle, Sir Cuthbert (Chuffy? hard to tell with an audiobook), and I liked little Charlie. Also, I was amused at the references to Julia "Quiblet" (a.k.a. Julia Quinn, one of my favorite historical romance authors) and Lisa "Klampas" (a.k.a. Lisa Kleypas, another historical romance author).

Unless you wish to alarm your fellow drivers by shouting and gesticulating angrily at invisible people, I'd say skip this audiobook entirely. (If you do wish to freak people out during rush hour, then by all means, download this book.)

For readers' advisors: setting doorway (i.e. England, circa 1800). Swearing and sexual content. Abusive relationship.

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As You Wish: Inconceivable Tales from the Making of The Princess Bride

As You Wish: Inconceivable Tales from the Making of The Princess Bride by Cary Elwes
My rating: 4 of 5 stars

My favorite thing about listening to the audiobook version of Cary Elwes' book was hearing many of the actual people involved with The Princess Bride voice their memories of making the film. It felt like they were sitting down with me and having a nice chat about the The Good Ol' Days, telling funny stories and reminiscing. How often do you get the chance to do that with the characters of your favorite childhood movie?

I still remember going on a rare movie date with my mom when I was about 12. We went to the Sellwood Theater (that no longer exists) and saw a double feature of La Bamba and The Princess Bride. Both were good movies, but The Princess Bride...ohhhh, yeah, that was the first of about 3 dozen viewings over the years. I can't wait until my daughter is old enough to see it on DVD with me.

Elwes' book is a must-read (or must-listen) for anyone who loves the movie. I adored hearing all kinds of stories about how and where they filmed different parts, all the background context and personalities. Like, for example, that the scene when the Prince & Count Rugen catch Buttercup & Westley as they emerge from the Fire Swamp, and the Count knocks Westley out with the handle of his sword--that was Cary Elwes collapsing unconscious to the ground because Christopher Guest accidentally bonked him too hard. OOPS! :D

The only (small) quibble I have with the audiobook version is that much of the time Cary Elwes, who narrates his own memoir, somehow manages to come off sounding ever so slightly pompous. Not in what he's saying, but in his tone, which I would have preferred to be a little more conversational. I kept envisioning him in the studio reading his book, whereas all the actors and the director who recorded their own memories sounded like they were simply telling stories to friends.

Still, it's a delightful love fest of mutual admiration, which makes a pleasant change from the usual spiteful tell-all memoirs. I was sad when the book came to a close. It felt like I had to say goodbye to my friends, which is apparently how they all felt at the end of filming.

Now, if you'll excuse me, I have a beloved DVD to re-watch....

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The Same Sky

The Same Sky by Amanda Eyre Ward
My rating: 4 of 5 stars

The Same Sky is the story of Carla, a young girl living in the slums of Tegucigalpa, Honduras, and Alice, a childless woman who co-owns a BBQ restaurant with her husband in Austin, Texas. Carla's mother paid a coyote to smuggle her into the US when Carla was about seven years old and her younger brothers were babies. She's been sending a little money back to Honduras ever since, to help support Carla, the boys, and Carla's grandmother, and as soon as she could afford it, she paid a coyote to bring one of the boys to her in Austin, Texas. By the time Carla is twelve, life in the slums has become too difficult, and Carla realizes she must make the brutal journey north to America if she's to have any hope of saving her little brother, Junior. The immigrant experience is a waking nightmare, and only faith keeps Carla going.

Alice and her husband, Jake, have a thriving business, but their home life has been shattered by an adoption that fell through one night after they brought home a newborn baby boy. After being unable to conceive, they tried surrogacy and then adoption, and the latest disappointment drives a wedge in their close relationship as they struggle to grieve in totally separate ways.

The story is told in alternating chapters, and Carla's chapters held my attention a little bit better than Alice's, although both were gut-wrenching in their own ways. I just felt like Alice was a tiny bit obnoxious and unprepared to be a mother (at least based on the awkward and inept way she went about being a "Big Sister" to a troubled teen at a troubled local high school). I wanted to shake some sense into her sometimes, whereas with Carla, I longed to scoop her into my arms and shield her from any more harm.  Their stories don't intersect until the very end, and not quite in the way I had predicted.  The Same Sky is both wonderful and heartbreaking.  Keep the Kleenex box handy, although sometimes I was too stunned to even cry.  Carla's story was especially haunting, and I frequently wished I could change the events in her life--just rewind a bit, and it would all be OK again, right?

I received a free ebook copy of this book via NetGalley in exchange for my honest review, although in the end, in order to get the book read, I listened to a downloadable audiobook version I checked out from my library.

I'm not sure whether this was intended to be "Christian fiction," but Carla's faith plays a huge role in her story, and faith (or the lack thereof) plays a part in Alice's story as well.

For readers' advisors: character doorway is primary, setting secondary. There is some bad language, drug use by minors, rape, and some references to sex.

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Sixth Grave on the Edge

Sixth Grave on the Edge by Darynda Jones
My rating: 3 of 5 stars

Book #6 picks up only a few days after Book #5 ends. Charley's life hasn't become any less chaotic or complicated. Since Reyes proposed, Charley has been stalling and trying to uncover more information about his background, namely his human family. As a favor to FBI Agent Carson, she's looking into a long-unsolved kidnapping where the missing child just happens to be the one and only Reyes Farrow--a fact Agent Carson does not know. However, it's not as straightforward as Charley thinks: there is more than one kidnapping in this particular story, which mucks everything up.

While she's trying to figure out what to do, gunmen break in and threaten to harm her nearest and dearest if she doesn't track down a witness to a murder who is being kept in protective custody. Again, there is more to this story, and not everyone will escape unscathed.

She also gets a visit from a panicked man who lost his soul to a demon in a card game and needs her to get it back for him so he can someday go to heaven to be with his 3-year-old daughter who just died. Over Reyes' objections, she goes to meet the demon and makes her own bargain with him. A demon with an ulterior motive? What a shock!

Then there is the ghost who so terrifies her teenage friend Quentin, that she traps him on a tram car until Charley can come to his rescue and help the girl cross over. The child's abusive life and horrible death prompt Charley to make it her mission to discover what really happened and ensure supernatural justice takes place.

In the midst of all this, Angel's mom tracks Charley down, demanding a truthful explanation for the money Charley has been depositing into her bank account every month. Angel is furious when (some of) the truth comes out, and it leads to more revelations of what really happened when he died.

Add to that Charley's "ingenious" plan to make Uncle Bob jealous enough to ask Cookie out...by setting her up on several consecutive blind dates. As with all of Charley's plans, it goes awry. It's a busy week in Albuquerque.

There is actually so much going on in this installment of the series, that it felt very much like a middle book--a way station enroute to a larger climactic moment in a later book. Lots of loose ends that don't get tied up, especially with Charley's dad's mysterious behaviour. It feels to me like it ended mid-scene, in fact. I was a little startled when the credits music started playing, as I had been expecting another chapter to follow.

While I still enjoy the author's style, I did find myself a little frustrated that there really wasn't any character development for Charley. Despite all her catastrophes and near-death misadventures, she just never seems to grow up at all. I appreciate that much of her attitude and banter is a defense mechanism, yet I really wished she would learn to think things through a little more, to heed other people's warnings and not barrel head-down into danger all the time, forcing others to come to her rescue. She's got a big heart, but I'm growing a little weary of her foolish recklessness.

I wonder how much of my dissatisfaction has to do with the fact that I listened to the book instead of reading it? The narrator, Lorelei King, did an excellent job, I thought, of giving each character a distinct voice and personality. I'm not sure why Cookie's voice was so deep as to sound masculine, but otherwise I thought Ms. King did an excellent job of bringing to life the words on the page. However, when read out loud, I really noticed the repetition of certain elements, like Charley asking, "What can go wrong?" or all the ways to talk about Reyes being hot--in all senses of that word. I found myself much more impatient than with earlier books. I think I'll go back to print rather than audio with Book #7.

For readers' advisors: story doorway is primary. There is a great deal of swearing and sexual content. I've seen this book characterized as "urban fantasy," which makes a certain amount of sense--it's too chaotic and lacking a central mystery to call it a "mystery." I listed it as "suspense," but it's also not terribly suspenseful, although "humorous romantic paranormal suspense" is more or less how I'd describe it.

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Blue Moon Bay

Blue Moon Bay by Lisa Wingate
My rating: 3 of 5 stars

Heather Hampton is a career-driven architect who has shut herself off from emotion and family, so a trip to Texas to convince her mother to go through with the plan to sell the family property is a journey she dreads. No one is happy to see her, everyone is keeping secrets from her, and not even a couple of wonderful dates with her high school crush can compensate for the frustration and turmoil she experiences while revisiting the scenes of the worst year of her life. But sometimes the only way through a nightmare is to confront the fear, lest the demons in your imagination keep you paralyzed, even if those demons are Moses Lake church ladies bearing casseroles. Buried secrets are about to explode into the open, changing Heather's perception of long-ago events and present-day realities.

The first two thirds or so of this book are character-driven, full of inner dialogue and angst. The pace picks up in the final third, racing along to the conclusion.

My overall rating for the novel is an average of the highs and lows of different aspects. I was absorbed enough to yell out loud at my car stereo numerous times, such as when Ms. Wingate used the word "smirk" four times in the second half of chapter 15 alone. Or when Heather didn't pay attention to Roger-the-dog's urgent attempts to get her to come outside, and then when she did not call 911 to get help for her brother when he crashed the truck and hit his head. Or when she lied to her mother and uncles about how the truck ended up in the fig tree. Much of the book had me hollering, "Just tell the f-ing TRUTH already," at every one of the characters except Ruth. So 4 stars for my level of involvement, 1 star for the lying and smirking, and 2 stars for the annoying angst, for an average rating of 3 stars.

This is the third Lisa Wingate novel I've read, and it contains more religion than the other two. Thankfully, it's still extremely low on the "preachiness scale," although it seems the author believes in predestination rather than free will.

For readers' advisors: character and story doorways, with setting secondary. No sex or on-screen violence.

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Larkspur Cove

Larkspur Cove by Lisa Wingate
My rating: 4 of 5 stars

Divorce has forced Andrea Henderson to accept the hospitality of her parents' lake house and to dust off her barely-used counseling degree, taking a job working with families referred by Child Protection Services caseworkers in rural Texas. Her first day is already not going well when she gets the news that her 14-year-old son has gotten in trouble with the local game warden, Mart McClendon, for climbing an off-limits rock formation and boating without permission and with alcohol on board. The parents of most of the other teens opt to pay the fine, but Andrea chooses to have Dustin attend the water safety course as a sort of diversion program.

Mart McClendon is not impressed with Andrea's parenting skills when they first meet. She is late, and he is exhausted and in no mood to put up with mothers who shield their punk kids from consequences and try to buy their way out of trouble. But when they begin working to figure out how an older local man with brain damage ended up caring for a traumatized small girl about five or six years old, he soon realizes Andrea is not the spoiled rich woman he assumed her to be.

Both Andrea and Mart have demons to face, remnants and reminders of their pasts. The challenge is learning to trust the future and let love back into their lives.

Johanna Parker and Scott Sowers take turns narrating chapters from Andrea and Mart's points of view. Their voices bring the story alive, Johanna's inviting you to linger and savor the warmth of the words, Scott's evoking the sounds of crusty old Texas fishermen.

Faith and faith struggles are an integral part of this story, but never once did Lisa Wingate get preachy. Rather, God and the church were just part of the fabric of life for most of the characters--much like they would be if someone told the story of my life or of anyone raised in a community of faith, no matter the religion. I'm so thankful to have found a Christian fiction author who doesn't make me cringe!

For readers' advisors: character doorway, with story, setting, and language sneaking in as secondary doorways. No sex, and I honestly can't remember if there were a couple of swear words or not, but probably not.

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