Over the Moon at the Big Lizard Diner

Over the Moon at the Big Lizard Diner by Lisa Wingate
My rating: 4 of 5 stars

For more than eight years, Lindsay Attwood has played it safe. After her ex-husband ditched her upon learning of the impending arrival of their daughter, Lindsay stopped traveling the world and instead took a job in the basement of a museum in Denver, converting her talents for archaeological discovery into those of restoration and cataloging. She wrapped her life around her daughter, Sydney, keeping new people at bay after learning the hard way that men can't be trusted. However, that approach led to fundamental loneliness and an emotional collapse the moment her ex suddenly decided he wanted to be a part of Sydney's life and took her to Mexico for the summer.

Lindsay's twin sister, Laura, and their friend Collie hatch a plan to drag Lindsay out of her despair: Laura invites Lindsay for a visit to Texas, and Collie begs for her help discovering who has stolen dinosaur tracks from a local ranch. Collie persuades Lindsay to go "undercover" at the ranch as a student in the horse psychology camp run by the owner's granddaughter, since it's possible the theft was an inside job. On the way to the ranch, Lindsay nearly runs over a giant dog chased by angry cowboys, and her defense of the dog leads to a temporary adoption--although which of them did the adopting is a matter of debate.

One of the cowboys turns out to be the veterinarian grandson of the same ranch owner whose dinosaur tracks had been stolen, and over the next few days, Zack and Lindsay fall in love while repairing windmills and chasing her escape-artist dog across fields to the Lover's Oak. Once the townsfolk hear they were seen kissing under the famous tree, curiosity is at a fever pitch, and the wedding a foregone conclusion. Unfortunately, Lindsay has Trust Issues with a capital "T" and no faith that it's possible to have a relationship with a USDA vet who lives thousands of miles away.

I'm not typically one to notice language unless it's unusually bad (especially grammar and typos) or unusually good. While listening to this audiobook, I noticed not only Johanna Parker's lovely voice, but also the lush, lyrical, evocative, and amusing descriptions and idioms Lisa Wingate used to tell the story. The beautiful words helped me cope with the main character's stubborn refusal to pay more attention to present actions than past hurts.

Seriously--Lindsay is in dire need of Alison Armstrong's workshops on understanding men & women! The horse psychology class was a big step in the right direction, yet it's fairly improbable that Lindsay so quickly went from being a failure to a star pupil, given her inability to fully translate the early skills into the human world. I think she needed a bigger "Aha!" moment first, like some of the other students seemed to have. That would have made it a 5-star book, in my opinion.

For readers' advisors: character and language doorways are primary, story and setting secondary. Some contortions to avoid actual swear words, which was sweet but unrealistic. No sex or violence.

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Larkspur Cove

Larkspur Cove by Lisa Wingate
My rating: 4 of 5 stars

Divorce has forced Andrea Henderson to accept the hospitality of her parents' lake house and to dust off her barely-used counseling degree, taking a job working with families referred by Child Protection Services caseworkers in rural Texas. Her first day is already not going well when she gets the news that her 14-year-old son has gotten in trouble with the local game warden, Mart McClendon, for climbing an off-limits rock formation and boating without permission and with alcohol on board. The parents of most of the other teens opt to pay the fine, but Andrea chooses to have Dustin attend the water safety course as a sort of diversion program.

Mart McClendon is not impressed with Andrea's parenting skills when they first meet. She is late, and he is exhausted and in no mood to put up with mothers who shield their punk kids from consequences and try to buy their way out of trouble. But when they begin working to figure out how an older local man with brain damage ended up caring for a traumatized small girl about five or six years old, he soon realizes Andrea is not the spoiled rich woman he assumed her to be.

Both Andrea and Mart have demons to face, remnants and reminders of their pasts. The challenge is learning to trust the future and let love back into their lives.

Johanna Parker and Scott Sowers take turns narrating chapters from Andrea and Mart's points of view. Their voices bring the story alive, Johanna's inviting you to linger and savor the warmth of the words, Scott's evoking the sounds of crusty old Texas fishermen.

Faith and faith struggles are an integral part of this story, but never once did Lisa Wingate get preachy. Rather, God and the church were just part of the fabric of life for most of the characters--much like they would be if someone told the story of my life or of anyone raised in a community of faith, no matter the religion. I'm so thankful to have found a Christian fiction author who doesn't make me cringe!

For readers' advisors: character doorway, with story, setting, and language sneaking in as secondary doorways. No sex, and I honestly can't remember if there were a couple of swear words or not, but probably not.

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A Month of Summer

A Month of Summer by Lisa Wingate
My rating: 4 of 5 stars

Johanna Parker's versatile voice brings this book to life in the audiobook version of Lisa Wingate's novel. I checked it out at random from my library's digital audiobook service when I was testing their updated mobile app. I'd never heard of the book or the author; I just liked the cover. I liked the ideas of planting a seedling and a month of summer. What an amazing bonus it was to discover such a lovely story!

Rebecca Macklin has spent more than 30 years believing her father abandoned her and her mother for a new life with his new wife and her mentally challenged son. She has held on to that bitterness for so long, she doesn't even see how it's poisoned her relationship with her husband and cut her off from three decades of her father's love. Now her father has Alzheimer's disease, and her stepmother, Hanna Beth, has had a massive stroke. Reluctantly, Rebecca boards a plane to Dallas, leaving behind her 9-year-old daughter, Macey, and her struggling marriage in order to spend a few weeks taking care of her father and stepbrother, Teddy. Their caretaker has vanished, leaving behind a filthy house, disconnected utilities, and empty bank accounts.

Hanna Beth Parker is determined to regain her powers of speech and control over her bodily functions. The idea that her beloved husband and son are dependent on the whims of her angry, hurt stepdaughter scares her. She knows that Rebecca has no idea what really happened all those years ago. But for now, Hanna Beth is trapped inside her uncooperative body with only the nurses and her "neighbor" and fellow patient, Claude, for company.

This is a story about family--biological and otherwise. It's a story of forgiveness and learning to love and trust. It's a story categorized as "Christian Fiction," surprisingly enough, since there is zero preachiness and no sermons on How To Pray And Be Saved From All Your Troubles. (I usually hate "Christian Fiction" because most of it is proselytizing thinly veiled with a not-terribly-well-written story. It makes me embarrassed to be a Christian.) Some of the coincidences, however, are Positively Providential (as Mrs. Rachel Lynde would say).

Johanna Parker's voice wraps around you like a warm shawl on a chilly day. Each character sounds different, almost as though the book were read by a full cast instead of by one talented woman. For example, the native Texans spoke with thicker accents, while Rebecca retained only a hint of her roots, and Macey sounded like a child of the West Coast.

My only quibble with this novel, and the only reason I didn't give it 5 stars, is that at times I felt like Rebecca was a little too angst-y for a 45-year-old woman. Then again, in her situation I might also be afraid to broach difficult subjects with my husband and would shy away from unwanted realities, too. I sometimes found myself almost yelling at my car stereo, "For crying out loud, just say it! Just tell the truth! You people need to learn how to communicate!" As is true in real life, so much anguish and drama would be eliminated if everyone always spoke the truth no matter what, no excuses.

Overall, though, I loved this book and was sad to have it end. I look forward to reading (listening to!) the other books in this series.

For readers' advisors: character doorway, definitely. Everything else paled in comparison, although the story was also good, and the narrator made the language come alive. Since it's Christian Fiction, it's "clean," meaning no sex, violence, or bad language.

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