Remember Love

Remember Love by Mary Balogh
My rating: 3 of 5 stars

Gwen Rhys and Devlin Ware grew up as neighbors, each secretly infatuated with the other until they realize their mutual attraction the day of the annual summer fete and become engaged.  But that same night, the pair discover Devlin's father with his mistress, and Devlin's strong sense of justice and love for his mother lead him to confront his father in public.  Devlin is banished, joins the army to fight Napoleon, and doesn't return for six years, two years after he inherited his father's title. 

I liked this story, but I didn’t love it. Mostly, I think, because we don’t witness Gwen & Devlin falling in love. They never really get to know each other, just go from childhood crushes they believe to be love to insta-love after being reunited 6 years later. They respect each other, which is a good start, but they don’t actually know enough about each other to be in love.

I also really hated that Devlin had sex with SOOOO many women during the war. Historically accurate? Probably. But really, what are the odds he didn’t come home with multiple sexually transmitted diseases, which he would then have passed on to Gwen?! Ruined all romance for the rest of the book, especially the one sex scene, which I just had to quickly skim because all I could think about was how he was almost certainly giving her syphilis. *shudder*

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Someone to Cherish

Someone to Cherish by Mary Balogh
My rating: 3 of 5 stars

Harry Westcott has done a lot of healing, both physically and emotionally, the past four years since he's been back in his childhood home, alone except for the army of servants. He is content with his life and has regained his happiness. But on the cusp of turning thirty, suddenly his contentment is threaded with a bit of restlessness. Maybe he does need more in his life?

Lydia Tavernor has lived alone in her tiny cottage opposite the gateway to Hinsford Manor for more than a year, since she bought it and moved in after her husband drowned saving a young boy from the village. Her husband had been a beloved vicar, ardent in his faith and dedicated to his parishioners. What no one knows is that he was a benevolent despot as a husband, dictating every aspect of her life, eschewing both physical contact and humor. After grieving the loss of her husband for the full length of her mourning period, Lydia is learning to find herself--her true self--again, a person she lost track of in the 20 years since her mother died when she was eight and her father and brothers wrapped her in metaphorical cotton wool to protect her from the Big Bad World. Now that she's had a taste of freedom, she never again wants to hand it over to a man. Still, living alone can be lonely. She just doesn't realize what a can of worms she will open by asking her handsome neighbor if he ever gets lonely, too.

The outcome is never in doubt--I mean, it IS a romance novel--but the journey these two take to get there is interesting. They have been acquaintances for about 4 years by the time the book begins, and yet Harry has never truly noticed Lydia, ever, even while chatting politely with her at social events. She, on the other hand, has built up a fantasy version of him based solely on seeing him interact with their neighbors, and he has become literally the man of her dreams.

My favorite parts of the novel were when they were engaged in quiet conversation about things they'd never told another soul. The reason I am rating the book--and I wrestled with this--three stars instead of four is because I think there needed to be an additional scene or two where they maybe had a moment or two to converse privately while in public view (or even not in public?) and do a better job of building the foundation for a relationship. To me it felt like Balogh was skirting too close to the "insta-love" trope by having them fall in love on the basis of so little.

The second reason for my lower-than-usual-rating for a book in this series is that I really think Lydia capitulated far too quickly. She is initially so strong and determined, I think it would have made far more sense for her to resist marriage until she got a closer view of the relationships between spouses in the Westcott family. She needed to see in action that husbands don't necessarily dominate their wives and dictate all their choices. She needed time to begin building relationships with Harry's sisters, cousins, and mother. There really was no "Aha!" moment of growth where her change of heart would make sense.

Also, I wished the characters of Jeremy and Mrs. Piper had been fleshed out more. They were rather two-dimensional.

Otherwise, though, I loved the book!

For readers' advisors: character edges out story doorway as primary, setting (Regency England) is secondary, though I realize my complaints about the book are about deficiencies in characters. There are some makeout scenes and a couple of sex scenes. The occasional mild swear word appeared. One scene depicts a solid punch being thrown.

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Someone to Romance

Someone to Romance by Mary Balogh
My rating: 4 of 5 stars

Thirteen years ago, Gabriel Thorne fled England for Boston out of fear, falsely accused of rape and murder. Now he has returned to claim his title before he's officially declared dead and his odious cousin Manley is named the Earl of Lyndale in his place. It's been nearly seven years since his uncle, the previous Earl, died, and Gabriel had been happy to let everyone believe he was dead as well, until a letter arrived from the one person in England he still loved--his aunt's sister--informing him that the would-be heir was planning to evict her from her home, leaving her destitute. So he turned over his prosperous business to his trusted business partner and boarded a ship. But if Gabriel hopes to make things right, he's going to need help. And an aristocratic countess.

Lady Jessica Archer, sister of the Duke of Netherby, has a court of admirers, none of whom have ever tempted her--even the slightest bit--into matrimony. Suddenly, though, at the advanced age of twenty-five, she realizes she no longer wants life to pass her by, no longer wants to punish herself for surviving her family's Great Disaster unscathed, no longer wants to remain unmarried. On the road back to London, she concludes this will be the year she chooses a husband. She just never imagines it'll turn out to be the rich cit she first encounters in an inn when her arrival deprives him of the private dining room he'd already paid for. To win her hand, though, he must prove he sees her, not just her aristocratic persona.

I love these books so much. The characters suffer real, painful hardships, yet the overall atmosphere of the stories is that of being surrounded by warm, loving family. Well-intentioned matchmaking generally goes awry, but everything comes out right in the end.

This delightful series should be read in order, if only to help keep track of the dizzying array of names and titles in the extended Westcott family. The large family tree printed in the beginning of each book comes in very handy, and bookmarking it can be useful if it's been a while since a reader spent time with these characters.

For readers' advisors: character doorway dominates the first half of the book, and then story doorway comes to the fore. References to rape, murder, and attempted murder, but nothing at all depicted in any detail. A handful of mild swear words. Two sex scenes that are steamy but not terribly explicit (mostly description of the removal of the many articles of clothing). The setting is almost entirely London, England, in 1819.

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Someone to Trust

Someone to Trust by Mary Balogh
My rating: 4 of 5 stars

This leisurely paced, delightful tale of a couple finding the courage to buck societal norms and say yes to love is a perfect cozy winter read. Elizabeth is nine years older than Colin--a fact which would be unusual but no big deal in modern society but which was practically unheard of in upper class Regency England. Since this is book #5 in the series (reading in order is recommended, as the many characters reappear in all books), I was cheering as two of my favorite secondary characters got their well-deserved HEA together.

Many thanks to NetGalley and the publisher for letting me read an eGalley ARC copy!

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Someone to Care

Someone to Care by Mary Balogh
My rating: 5 of 5 stars

Viola Kingsley spent more than two decades as Viola Westcott, Countess of Riverdale. It was a loveless marriage, but she did come out of it with three children. As it turned out, that was ALL she got out of it--upon the death of the Earl, the entire Westcott family discovered that Viola and Humphrey had never been legally married, since his unknown first wife was still alive at the time of their wedding. Overnight Viola went from being a wealthy widow to a penniless pariah. The Earl's title transferred to a very reluctant Cousin Alexander; the Earl's money went to his sole legitimate heir: Anna, his daughter from his first marriage.

Several years later, Viola's life has stabilized: instead of being rejected by her family, the entire Westcott and Kingsley clans have gone out of their way to enfold and support her. Camille, her eldest daughter, has made her a grandmother. Anna is impossible to hate and absolutely insisted on giving Viola's home and dowry back to her and to her youngest daughter, Abigail. Viola worries constantly about her son Harry, back with his regiment and fighting Napoleon's forces, but he says he's having the time of his life. She should be content. And yet....

Just after her grandson's christening, Viola snaps. She has been suppressing her true self for a quarter of a century, and at 42 years of age, she no longer knows who she is and desperately needs to be alone to figure it out. She makes her escape in a hired carriage, which breaks down in a small village in the middle of nowhere, stranding her temporarily at the sole inn. Because Fate has a wicked sense of humor, she's not the only traveler stranded there that day. Marcel Lamarr, Marquess of Dorchester, the only man to ever tempt her to break her marriage vows, is already in the main dining room when she arrives. It's been fourteen years since she sent him away....

Marcel has a well-earned reputation as a gambler and cynic, a long list of former mistresses, and a history of avoiding family responsibility. He's in no hurry to return to his estate and deal with the various relatives living there, including his own children. In fact, he's successfully avoided dealing with them more than a few brief times a year since his wife's fatal accident almost 17 years ago. When he spies Viola, he makes the impulsive decision to send his brother away with his carriage, intending to test his powers of persuasion...and is delighted when she doesn't turn down his offer to escort her to the village fair. He's even more delighted when she agrees to spend the evening with him...and then to run away with him to his remote cottage.

What starts out as an impulsive fling evolves into a far more complicated relationship as the weeks go by, eventually becoming impossibly tangled once they are discovered by their respective families. For it turns out that responsibilities are not shed quite as easily nor permanently as Marcel had talked himself into believing, and to his astonishment, he's no longer sure he wants them to be.

This fourth book in the Westcott series is my favorite so far, and not just because the protagonists are only slightly younger than I am (a nice change from twenty-somethings who are magically as mature as people a decade older). Ms. Balogh is known for her character-driven romances, and this is one of her best, in my opinion. Viola and Marcel bring lots of baggage to their relationship, and the journey they make toward reconciliation and healing, particularly Marcel in his broken relationships with his children, is an absorbing story to read.

For readers' advisors: character doorway is primary, setting (1813 England) is secondary. There is no violence, but there are sex scenes (not overly explicit) and some mild swearing (mostly variations on "damn").

Many many thanks to NetGalley and the publisher for the ARC ebook I received in exchange for my honest review.

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Heartless

Heartless by Mary Balogh
My rating: 3 of 5 stars

2.5 stars, but I'll round up.

The moral of this story? For the love of Mike, just tell the GD TRUTH already!!! Most of the story and nearly all of the pain and heartache would have been prevented had the main characters, Anna most especially, just told the truth, the whole truth, and nothing but the truth. GAH!! Perhaps that's typical for victims of abuse, to trust no one and believe the abuser, but it's maddening to read.

My propensity to yell at Anna via my car stereo aside, much of the book was pretty good, if mostly predictable. The character development for Luc was welcome, since I did not like him at all at the beginning and appreciated his sleuthing and defense of his family by the end.

I do think the expression, "La!" was very overused. It's historically accurate, I'm sure, but to modern ears, a little goes a long way. Every time someone said it was like nails on a blackboard for my ears--even reducing the utterances to just the odious Henrietta would have been an improvement.

For readers' advisors: character doorway is primary, setting is secondary (late 1700s England at a time when hair was powdered and women wore stomachers & wide hoops). A few mild swear words I think, and multiple sex scenes. The deaf character saves the day!

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Someone to Wed

Someone to Wed by Mary Balogh
My rating: 4 of 5 stars

Alexander Westcott unexpectedly inherited an earldom and a struggling estate last year but not the fortune to go with it, making him an excellent candidate for Wren Hayden's husband search. She plans to snare a husband with her fortune in order to overcome the impediment of a marred face and hermit lifestyle. Wren fails to take into account his social responsibilities and large close-knit family, however, and quickly changes her mind. Sparks of interest, though, are not so easily extinguished....

I really liked that the heroine was slightly older (about 30) and had a big purple birthmark on her face instead of being 20 and conventionally beautiful. (OK, so other than the birthmark she was beautiful, but still.) Wren probably should have struggled a bit more in overcoming 20 years of hiding her face behind a veil after 10 years of being locked in her room--had a few more setbacks, perhaps--which really makes my rating more like 3.5 stars, but I so enjoy the Westcott family, I'm rounding up.

I also liked that despite her fear of showing her face to the world and not being taught to read until she was 10, Wren was a savvy, successful businesswoman. Additionally, her blunt, brave honesty saved herself and others from so much anxiety and heartache. I hate when characters avoid saying things because the truth is hard or they fear the answer and think silence or a polite lie will be easier, and then they end up causing MORE pain due to uncertainty, confusion, misconceptions, etc. I hate when this happens in real life, too.

I liked that the romance grew a bit more slowly, although the final scene's dialogue sort of tries to make you think otherwise to a degree. (I didn't buy it, and it was better the other way anyhow.) Alexander and Wren grew to respect each other, which I appreciated.

For readers' advisors: character and setting doorways are primary (Regency England during the Napoleonic wars). There are a couple of sex scenes but not terribly explicit. Occasionally a mild swear word. No violence.

I received a free ARC from NetGalley and the publisher in exchange for my honest review.

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Beyond the Sunrise

Beyond the Sunrise by Mary Balogh
My rating: 1 of 5 stars

I should really know better than to read/listen to a romance novel written before the mid-to-late 1990s at the VERY earliest (aside from Jane Austen's novels, of course).  Balogh is one of my favorite historical romance novelists, but this early work of hers is awful.   It's kind of interesting as a historical spy novel set in Portugal & Spain during the Napoleonic Wars, but as a romance it fails miserably.  The heroine does nothing but humiliate, emasculate, and lie to the hero, even when her mission no longer requires secrecy, and yet the reader is supposed to believe he would STILL fall in love with her?!  Um, no, that's not how that works.  Men respond to authenticity, not the contempt Joana demonstrates for all men as she manipulates, flirts with, and controls them like puppets on a string.

The book perpetuates the myth that if you have sex with a man who lusts after you, that means he'll automatically fall in love with you.  Um, no, also not how that works!  A man has to care about and respect a woman in order to fall in love with her.  Lust is just lust.

The story could have wrapped up in half the time if only Joana had told the truth as convincingly as she continued to tell lies; had explained why she wanted the French colonel to follow her; had been honest, genuine, and/or kind; and had enlisted Robert's help instead of deliberately making him think she was a French spy.   There were flashes of excellence in this novel, where you could glimpse the writer Balogh would become, but there were also plot holes and faulty premises enough to have me ranting at my car stereo for hours (see above about the unnecessary length of the book).

I strongly do not recommend this one.  The narrator does her best, but she can't make up for a terrible story.

For readers' advisors: setting doorway is primary.  Story is secondary, I guess.   There is some swearing and a lot of sex.  Seriously, no one could have energy for that much sex while trudging around the hills/mountains of Spain & Portugal in wartime with no shelter, no trust, no safety, & not much food.  No one.

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Only Enchanting

Only Enchanting by Mary Balogh
My rating: 4 of 5 stars

Mrs. Agnes Keeping, a young widow, lives quietly with her sister, a spinster music teacher, in the English village Inglebrook. She had married an older gentleman for comfort and convenience and doesn't expect or wish to ever fall in love. In fact, she rather fears it, thanks to her mother's scandalous behavior and consequent abandonment of the sisters when Agnes was a small child. However, when she goes to a ball given by her new best friend, Sophia, Lady Darleigh, Agnes accidentally falls in love with Flavian Arnott, Viscount Ponsonby. Thankfully, he doesn't live in the area, and she believes she'll never see him again. This being a romance novel, she of course sees him again five months later when he and the other members of the Survivors' Club journey back to Middlebury Park for their annual gathering.

Flavian was shot in the head and trampled by a horse while fighting Napoleon's army in France. He has recovered from most of his wounds, thanks the the ministrations he received at Penderris Hall, home of the Duke of Stanbrook, but he still suffers from gaps in his memory, stuttering, and unexpected flashes of anger--symptoms familiar to many of today's soldiers as well. One of those frustrating holes in his memory relates to his former fiancee who jilted him to marry his best friend after he was wounded in battle. News that she's widowed and finished with her mourning period inexplicably sends him into a panic, where only marriage to Agnes feels safe. The difficulty lies in stitching together enough pieces of the past to understand the present and salvage their future together.

Mary Balogh does such a fantastic job writing multi-dimensional characters. It's one of the things I like best about her books--you feel like the people in them are real, and you enjoy spending time with them.

My only quibble with book #4 in this series is that I could have used some sort of chart or character list to help me keep the names and relationships straight. I thought I had read all three of the previous novels, but thanks to Goodreads, I just discovered that I'd only read the first one...which helps explain why I struggled mightily to connect titles, first names, and last names. My husband is in the military, and I have the exact same difficulty with his colleagues--it's taken me years in many cases to link a face with the three separate things she or he might be called, according to the circumstances. I have often wished for a cheat sheet with my husband's friends & coworkers, and I definitely wished for one while reading Only Enchanting.

For readers' advisors: character and setting doorways. Mild historical swearing and eventually a couple of sex scenes.

I received a free e-galley copy from the publisher via NetGalley in exchange for my honest review.

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Dark Angel/Lord Carew's Bride

Dark Angel/Lord Carew's Bride by Mary Balogh
My rating: 1 of 5 stars

This book would have scored a much higher rating in my mind had it not been for the sex--or rather, rape--scenes toward the end of each novella, particularly the first. I do not care if "exercising marital rights" is historically accurate; doing so while your new bride is sobbing and thinks you publicly humiliated her in order to trap her into marrying you will DESTROY YOUR MARRIAGE. It will not "save" it!! Even the character himself admits it feels like rape. Yes, that's because it IS rape! You do not have her consent. She hates you, and even if you are super gentle with her and make her body respond a little bit, that will just make her hate you even more!!

I really like Mary Balogh as an author, but these early novellas of hers should have been rewritten first or never seen the light of day ever again.

Dark Angel was a 4-star novella until the rape scene, and then it dropped to -10 stars.
Lord Carew's Bride was also a 4-star novella until the bordering-on-rape scene, and then it dropped to 2 stars.

The two novellas have intersecting characters, particularly the heroines who are cousins. Both start out imagining themselves in love with the same man, who turns out to be a total slimeball. I will not bother to summarize the plots. Goodreads and the back of the book do that well enough. I just want to be done with this book and move on. I'm so disappointed! They were so good at first....

For readers' advisors: story and character doorways, but skip this one in favor of her other works.

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A Christmas Bride/Christmas Beau

A Christmas Bride/Christmas Beau by Mary Balogh
My rating: 5 of 5 stars

It is not often that a novella--at least, not in the romance genre--delves into the darkness and pain of the human soul. Then again, both of these novellas are nearly full-length novels, and both are written by Mary Balogh, whose recent works have dealt increasingly with more complicated characters and situations than are the standard fare. It makes for a refreshing, absorbing change, albeit not quite the escapist literature I had thought I was checking out from the library.

In "A Christmas Bride," wealthy merchant Edgar Downes has promised his father he will, as the title suggests, find a bride by Christmas. Not just any bride though: a Lady, preferably with a title. This is no easy task, given the social stratification and attitudes of 19th century Britain. Still, his sister did marry a peer, so she can introduce him to eligible young ladies. The problem is, his attention is captured by a widow his own age, who on impulse takes him home with her for a one night stand, which both regret the next day. Lady Stapleton has spent the past dozen years or so frozen in an emotional prison, trapped by self-loathing stemming from a terrible mistake she made during her marriage. She lives her life in the shallows, convinced she does not deserve happiness. Fate and the magic of the Christmas season conspire to upend her orderly existence, however, and soon she finds herself unhappily betrothed and in the midst of a jolly Downes family gathering. Edgar's challenge is to break through Helena's defenses and discover what horrible secret has been haunting her all these years, lest her despair consume them both.

"Christmas Beau" opens with the return of Judith Easton to London society. Her year of mourning for her husband is officially over, and she's not eager to spend another Christmas with his family and their drunken card playing. She is intending instead to enjoy a quiet holiday with her two young children and her sister-in-law, Amy. Within days of her arrival, however, she finds herself the focus of the Marquess of Denbigh's attention. Eight years ago, Judith broke her engagement to the Marquess by eloping with another man, leaving her unhappy parents to break the news of her flight. Since she never knew he was in love with her, she had no idea how badly she crushed his heart. Now he is determined to exact revenge. She doesn't trust him, and never has, so he must be clever and deliberate if he is to convince her his intentions are actually honorable. Only some seismic shifts in perception will avert disaster and heartbreak for both.

These novellas were originally published in the 1990s--much to my astonishment, as very few romance novels/novellas written before the late '90s are any good, in my opinion. They tend to be cheesy and, well, I have a whole theory/rant about that, but anyway, these stories are actually good! All four main characters would have a LOT of work to do to maintain happy marriages, yet I feel like they might have the depth to pull it off.

For readers' advisors: character doorway is primary, story and setting secondary. There are a couple of sex scenes, but I don't remember any swearing.

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The Proposal

The Proposal by Mary Balogh
My rating: 4 of 5 stars

Not all wounds are visible.

Lord Hugh (Emes) Trentham has spent the past several years healing from the emotional trauma incurred during the Napoleonic Wars while leading the charge on a "Forlorn Hope"--what would today be called a suicide mission. His body came through unscathed, but as any veteran could tell you, his mind did not. As a reward for his heroism, he was given a title and transformed from the son of a wealthy merchant into a peer of the realm. Now that his year of mourning for his father is over, he is faced with the intimidating task of finding a wife who can guide his younger sister through the Marriage Mart. But Hugh is NOT good with the ladies. His scowling face scares most of them away before they ever have a chance to meet the person inside.

Enter Lady Gwen Muir, widowed for the past seven years and seemingly content with her peaceful life on her brother's estate. She goes for a long walk on the rocky shore to escape her obnoxious hostess and slips on a gravel slope, severely twisting her ankle only feet away from where Hugo sits hidden from view on a ledge. He reluctantly rescues her; she reluctantly lets him. Time and proximity work their magic over the next week, slowly splintering the preconceptions each holds dear. Nonetheless, the chasm between them is wide, and neither is sure they wish to cross it.

It's a refreshing novelty to read a historical romance novel where the hero and heroine are not only in their thirties but also actively dislike each other at first and come from widely differing backgrounds wherein the heroine has the higher social status. Their first impressions of each other are not favorable and do not improve for quite a while, although their budding physical attraction intensifies relatively early on. I really appreciated the gradual development of their relationship as each struggled with personal demons and societal prejudices. As in real life, nothing was simple.

Other reviewers have pointed out that Gwen's story was originally supposed to have been part of a trilogy that began with One Night for Love ...so I now need to go re-read that one! And maybe A Summer to Remember as well.

For readers' advisors: character doorway is primary, setting secondary. There are a couple of sex scenes.

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No Man's Mistress

No Man's Mistress by Mary Balogh

My rating: 4 of 5 stars


Viola Thornhill has owned her home, her refuge, for two years, and then one day a tall, dark, handsome stranger arrives claiming that Pinewood Manor is actually his, and the battle of wills begins. She is determined to show Lord Ferdinand Dudley that he is just not cut out for country life...except that it seems he is.

The premise of the beginning of the book seemed so familiar to me that I almost stopped reading it, thinking I'd read it before (it was first published in 2001). I'm glad I kept going because it turned out to be quite an interesting story and one I had a hard time putting down at the end of my lunch breaks.

I still need to figure out the book it reminded me of--all I can remember is that it was an historical romance set in Regency England (I think) where the main character was a steward or something, and she went by the name of Henry. There was a scene where she tricked the hero into mucking about in the mud with...pigs??? If anyone remembers, please let me know so it'll quit gnawing at me!

If the ending hadn't been somewhat improbable, I would have rated No Man's Mistress 5 stars.

For readers' advisors: story and character doorways, and setting (Regency England). There are some steamy sex scenes, just FYI.


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More Than a Mistress

More than a Mistress by Mary Balogh

My rating: 4 of 5 stars


I do so love a romance novel that bothers to show how two people might actually be compatible on a deeper, more long-term level. This one does that. Balogh takes two people who don't know each other and don't like each other and shows them discovering there is more to each than either realized. And more to themselves than they realized, too.

Jocelyn, the Duke of Tresham, is furious when he gets shot in the leg during a duel because he is distracted by the screams of a woman in servant's clothing. Jane Ingleby is furious about losing her job when stopping a duel causes her to be late to work. She demands Tresham write her a note to give to her employer; he refuses and insists she work for him as his nurse as punishment for getting him shot. Jane fears being discovered by her cousin the earl and hanged for murdering his despicable son, so in desperation, she agrees, telling Tresham she was raised in a "superior orphanage." Trust does not come easily to these two.

For readers' advisors: character doorway primarily with story a near second. The setting is Regency England (London, to be specific). The middle portion of the book has some steamy sex scenes.



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Bespelling Jane Austen

Bespelling Jane Austen by Mary Balogh

My rating: 2 of 5 stars


I really wanted to like these stories, but they just didn't do it for me. They were OK--maybe even 2 1/2 stars. I felt like they could have been better written than they were, though. They felt rushed and not sufficiently developed, especially when it came to the believability of the romances.

The first novella in the book, "Almost Persuaded" by Mary Balogh, was very loosely based on Austen's Persuasion. Too loosely, which really was a large part of the problem. Jane Everett and Captain Mitford are soulmates who fall in love and then screw it up lifetime after lifetime. In this lifetime, however, each gets to keep a piece of memory from their past lives, although Jane has been raised to believe her memories are fantasies or dreams and has a hard time believing in reincarnation. Captain Mitford has no trouble talking her into making out with him within hours of their first meeting, swimming in just her shift, and having sex with him in the sunshine, despite her breeding as a proper young English lady, yet she can't overcome that same training when it comes to her memories, which she knows happen to coincide remarkably with local history? Seriously? Had Balogh stuck closer to the original story and characterizations, just folding in the reincarnation subplot, I think the novella would have been much more believable.

In Northanger Castle, Colleen Gleason tells of young Caroline Merrill, who has read far too many gothic novels and is convinced that vampires and poisoners are around every corner. Which, as it turns out, is not too far off, although she gets most of the details wrong. Gleason sticks a lot closer to the spirit of her inspiration, Northanger Abbey, and as a result, I think this is the second most successful of the novellas, right up until the fairly ridiculous ending.

Blood and Prejudice, by Susan Krinard, had great potential: modern-day setting wherein Mr. Darcy and Mr. Wickham are 200-yr-old vampires & Elizabeth is a bookstore owner whose family's company is being taken over by Bingley's family's pharmaceutical company. Krinard stays relatively close to the spirit of the original story. But again, it all falls apart in the willing-suspension-of-disbelief department by the time they get to the rushed ending. There are only *legends* among the locals about "nightwalkers"? Really? No one noticed that the exact same people have owned/lived in Pemberley for 200 years?? And Darcy has a Twilight-esque vampire battle with Lady Catherine to save Elizabeth? *sighhh*

Finally, Janet Mullany's "Little to Hex Her" rounds out the book. It's very loosely based on Austen's Emma. Also a modernized version, this one features Emma Woodhouse as the temporary manager of a supernatural dating service owned by her sister Isabella. Emma lives in Isabella's D.C. apartment in a building owned by Emma's ex-boyfriend, Knightley. Elton is an elf bent on revenge because Emma's assistant, Harriet, turned him into a frog (temporarily!) when she realized, while they were on a date, that he was interested in Emma instead. Frankly, this is probably the best of the novellas because it digresses so far from its inspiration. The romance is still slightly forced, but at least the story is fun.

For readers' advisors: story doorway, primarily. Some sexual content, especially in the last novella.



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The Secret Mistress

The Secret Mistress by Mary Balogh

My rating: 4 of 5 stars


Mary Balogh manages to take a young, wide-eyed ingenue and make her interesting, sympathetic, and endearing. Angeline's excitement and restless energy born of her enthusiasm for her first London Season are adorable. She finds everything thing fresh, new, and wonderful, and that makes those around her see the world through new eyes, too.

Likewise, Balogh takes a proper, stiff-necked young man and turns him into a startled romantic. His good manners win Angeline's heart, but her impulsive behavior has him bewitched, bewildered, and befuddled. She forces him to reexamine his perspective of the world and himself. It is an utterly delightful take on a tale older than time.

For readers' advisors: character and story doorways primarily, but also setting, as it's set in 19th century England



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A Secret Affair

A Secret Affair by Mary Balogh

My rating: 4 of 5 stars


If you enjoy a good character-driven historical romance novel, this is a excellent choice. It's the story of how the widowed Duchess of Dunbarton transforms into Hannah in the eyes of her chosen lover, Constantine Huxtable. Likewise, it's also the story of how the Ton's favorite bad boy turns out to be more of an angel than a devil, much to Hannah's surprise.

This was one of those books that made lunch hours seem far too short. By the end of the week I couldn't stand the wait and had to take the book home with me to finish that evening. This is always a good sign. :)



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A Matter of Class

A Matter of Class by Mary Balogh


My rating: 5 of 5 stars

This slim little novel is not what it seems. Usually, thinner means less depth, more fluff, and a pretty generic plot. I don't want to ruin it for anyone, so all I'll say is that as soon as I finished, I turned around and started re-reading all the "present-day" parts. (The chapters alternate between the past and present, both of which take place in England's Regency period.)

The story begins with Reggie Mason enduring a lecture from his father who is furious about Reggie's extravagant lifestyle and gambling debts. Meanwhile, on the adjoining estate, Lady Annabelle Ashton awaits her irate father's decision regarding her fate now that she has been caught running off with the new coachman. The snobby earl is in dire need of funds. Wealthy Mr. Mason dreams of elevating his family into the "hallowed ranks" of the beau monde. A match made in...?

Definitely story is the primary doorway, but character is a strong second.

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At Last Comes Love

At Last Comes Love by Mary Balogh


My rating: 4 of 5 stars

I thoroughly enjoyed this 3rd installment in the Huxtable sibling series. It was a great summer read--entertaining and light but with enough substance that I wasn't wincing or rolling my eyes. I did guess most of Duncan's big secret, but I did not predict the twist at the end.

Margaret Huxtable and Duncan Pennethorne are both 30 years old, which is a welcome change from the norm of historical romances and their 20-year-old heroines. They both need to find a spouse in a hurry: Margaret, because she unwisely boasted to her ex that she had a secret engagement, and Duncan, because his grandfather is going to cut off his income if he's not married within 15 days. Some secrets are kept a little too long; others are leaked too soon. And at last comes love. (*groan* Sorry! I couldn't resist.)

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Then Comes Seduction

Then Comes Seduction by Mary Balogh


My rating: 4 of 5 stars

This is the second in a series of four historical romance novels centered on the Huxable siblings, and I thoroughly enjoyed it. It was a perfect summer escapist novel.

Katherine's story begins just after the end of the first book and then skips ahead three years. At the start of this book, she's 20 years old and the focus of a drunken bet: Jasper Finley bets his buddies that he can seduce her within two weeks. It's a wager that comes back to bite them in the backsides three years later when his half-sister's cousin and aunt try to use it as leverage to get control of his sister and her fortune.

There is no real advancement in solving the mystery of Constantine's behavior (a plot thread held over from book #1--First Comes Marriage), but you do see more of him in this volume. I am hoping that book #3 (At Last Comes Love or even #4 (Seducing an Angel) delves into that storyline and resolves it.

It was a fun read, and I'm looking forward to the rest of the quartet.

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